ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Il presepio di san Giuseppe by Jacopo Bassano

Il presepio di san Giuseppe

Jacopo Bassano·

Historical Context

Il presepio di san Giuseppe — the Christmas crib or Nativity of Saint Joseph — is an undated canvas at the Worthing Museum and Art Gallery in West Sussex, depicting the stable scene of the Nativity from the perspective emphasizing Joseph's role as guardian and protector of the holy family. The Italian tradition of the presepio — the devotional Nativity scene — was deeply embedded in Franciscan piety and popular devotion, and paintings of this type served as portable or domestic equivalents of the three-dimensional presepe nativity displays associated with Franciscan churches. Jacopo Bassano's multiple Nativity compositions explore the scene from varying angles and with varying emphases, and a work emphasizing Joseph connects to the renewed interest in his role in Counter-Reformation theology. Worthing's museum holds a collection of European paintings assembled through civic donation and bequest, with Italian works appearing alongside the British collection. The undated status makes precise attribution within the Bassano family workshop difficult.

Technical Analysis

Oil on canvas, this nativity composition would organize the stable scene with the Holy Family at center, likely illuminated by the Christ Child's radiance supplemented by a candle or torch. Joseph's inclusion as a prominent figure rather than a peripheral one distinguishes this from many traditional nativity compositions. Bassano's handling of the warm, enclosed stable interior — straw, wooden beams, animals — provides his characteristic textural inventory.

Look Closer

  • ◆Joseph's prominent placement reflects a theological emphasis on his active role as guardian of the Holy Family
  • ◆The Christ Child's radiance as the primary light source creates the warm, intimate atmosphere of the stable interior
  • ◆Animals — ox and ass — are rendered with the close observational accuracy Bassano applied consistently to animal subjects
  • ◆Straw and rough timber in the stable setting receive the material specificity that characterizes Bassano's treatment of humble interiors

See It In Person

Worthing Museum and Art Gallery

,

Visit museum website →

Quick Facts

Medium
canvas
Era
Mannerism
Genre
Genre
Location
Worthing Museum and Art Gallery, undefined
View on museum website →

More by Jacopo Bassano

Diana and Actaeon by Jacopo Bassano

Diana and Actaeon

Jacopo Bassano·1585–92

Virgin and Child with the Young Saint John the Baptist by Jacopo Bassano

Virgin and Child with the Young Saint John the Baptist

Jacopo Bassano·1560–65

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Baptism of Christ by Jacopo Bassano

The Baptism of Christ

Jacopo Bassano·ca. 1590

More from the Mannerism Period

The Battle of Zama by Cornelis Cort

The Battle of Zama

Cornelis Cort·After 1567

Francesco de' Medici by Alessandro Allori

Francesco de' Medici

Alessandro Allori·c. 1560

Portrait of Don Juan of Austria by Alonso Sánchez Coello

Portrait of Don Juan of Austria

Alonso Sánchez Coello·1559–60

Portrait of a Seated Woman by Antonis Mor

Portrait of a Seated Woman

Antonis Mor·c. 1565