ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 50,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

In Petrovsky palace (Waiting for peace) by Vasily Vereshchagin

In Petrovsky palace (Waiting for peace)

Vasily Vereshchagin·1850

Historical Context

Held at the Museum of the Patriotic War of 1812, 'In Petrovsky Palace (Waiting for Peace)' depicts Napoleon Bonaparte at Petrovsky Palace — the imperial summer residence northwest of Moscow where Napoleon retreated after the fires forced him from the Kremlin in September 1812. The weeks Napoleon spent at Petrovsky, waiting for a Russian peace overture that never came, were among the most psychologically revealing of the entire campaign. He had expected the fall of Moscow to force Alexander I to negotiate; instead, the Tsar refused all contact and the Grande Armée began its catastrophic retreat. The title's parenthetical — 'Waiting for Peace' — frames Napoleon's wait with ironic precision. Vereshchagin's interest in Napoleon's psychological state during the campaign produced several works that humanize the emperor's experience of failure.

Technical Analysis

An interior scene of a figure waiting requires Vereshchagin to adapt his characteristic techniques to a palatial interior setting — the quality of light in an early 19th-century imperial residence, the furnishings and atmosphere of a space temporarily occupied by a conqueror. His handling of interior light and architectural space is less familiar territory than his outdoor subjects.

Look Closer

  • ◆Napoleon's posture and expression communicate the anxious waiting of a commander whose strategic calculation has failed to produce the expected result
  • ◆The palace interior's furnishings and architectural details are rendered with the historical accuracy Vereshchagin brought to all material elements of the 1812 series
  • ◆The quality of interior light — perhaps candlelight, perhaps daylight from tall windows — sets the mood of isolated waiting
  • ◆The absence of staff officers or military activity around the figure amplifies the sense of a moment of strategic paralysis

See It In Person

Museum of Patriotic War 1812

,

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Romanticism
Location
Museum of Patriotic War 1812, undefined
View on museum website →

More by Vasily Vereshchagin

They are triumphant by Vasily Vereshchagin

They are triumphant

Vasily Vereshchagin·1872

Spying out by Vasily Vereshchagin

Spying out

Vasily Vereshchagin·1873

Bukhara soldier by Vasily Vereshchagin

Bukhara soldier

Vasily Vereshchagin·1873

Uzbek woman in Tashkent by Vasily Vereshchagin

Uzbek woman in Tashkent

Vasily Vereshchagin·1873

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836