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Infant Savior by Andrea Mantegna

Infant Savior

Andrea Mantegna·1455

Historical Context

Mantegna's Infant Savior from around 1455 is a devotional image of Christ as a child blessing the viewer, a subject that combines the warmth of the bambino tradition with Mantegna's characteristic sculptural gravitas. The painting dates from his early years in Padua before his move to Mantua in 1460, when he would become court painter to the Gonzaga family. The image of the infant Christ blessing was central to Franciscan devotion, which emphasized the humanity of Christ — his birth, childhood, and suffering — as pathways to salvation. Mantegna's Christ child, even in infancy, carries an expression of grave authority that anticipates the Passion.

Technical Analysis

Mantegna renders the infant figure with his characteristic precise drawing and sculptural modeling, achieving a sense of classical dignity in the child's form while maintaining the devotional intimacy of the small-scale panel.

See It In Person

Cook collection

Richmond, United Kingdom

Visit museum website →

Quick Facts

Medium
Tempera
Dimensions
70.2 × 34.3 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Cook collection, Richmond
View on museum website →

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Madonna and Child with Seraphim and Cherubim by Andrea Mantegna

Madonna and Child with Seraphim and Cherubim

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The Holy Family with Saint Mary Magdalen by Andrea Mantegna

The Holy Family with Saint Mary Magdalen

Andrea Mantegna·ca. 1495–1500

Madonna and Child by Andrea Mantegna

Madonna and Child

Andrea Mantegna·c. 1505/1510

Portrait of a Man by Andrea Mantegna

Portrait of a Man

Andrea Mantegna·c. 1470

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