_The_Prophet_Isaiah_by_Paolo_Veronese_-_gallerie_Accademia_Venice.jpg&width=1200)
Isaiah
Paolo Veronese·c. 1558
Historical Context
Isaiah by Paolo Veronese, held in the Gallerie dell'Accademia in Venice alongside the companion Ezekiel, depicts the greatest of the Old Testament prophets — the Hebrew prophet of the eighth century BC whose writings contained the most explicit messianic prophecies interpreted by Christian tradition as foretelling Christ's birth, suffering, and resurrection. Isaiah's famous verses — 'For unto us a child is born' (9:6), 'a virgin shall conceive' (7:14), and the suffering servant passage (53:3-5) — made him the most quoted Old Testament figure in Christian liturgy and the most frequently depicted prophet in Christian art, from Michelangelo's Sistine Isaiah through Raphael's prophet series to Veronese's Venetian commission. Together with the Ezekiel companion, this figure demonstrates Veronese's ability to invest standing draped figures with the monumental dignity and intellectual authority appropriate to the Hebrew prophetic tradition, investing them with the same commanding presence as his figures in the major narrative compositions.
Technical Analysis
The prophet is depicted with monumental presence, his figure given architectural solidity through Veronese's strong compositional structure and luminous modeling. The rich drapery creates dynamic folds and rhythms characteristic of Veronese's decorative style, while the clear, bright palette gives the figure a commanding visual presence.
Look Closer
- ◆Notice how Veronese stages this scene of "Isaiah" with the theatrical grandeur and luminous color that defined Venetian Renaissance painting.


_The_Prophet_Ezekiel_by_Paolo_Veronese_-_gallerie_Accademia_Venice.jpg&width=600)



