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Italian Woman (La Morieri) by Jean Baptiste Camille Corot

Italian Woman (La Morieri)

Jean Baptiste Camille Corot·1872

Historical Context

Italian Woman (La Morieri), at the National Gallery of Art, is a late Corot figure study from around 1872, connecting his final years' work to the studio figures he had been producing since the 1850s — Italian women in folkloric costume that combined his memories of Italian travel with an interest in figure painting as a tonal rather than narrative exercise. The subject's Italian identity places the work in the long tradition of French artist sojourns in Italy, where peasant women in regional dress were standard studio models.

Technical Analysis

Corot renders the figure with the same tonal softness he applied to his landscapes — the Italian costume and face emerging from a neutral background through careful value relationships rather than hard contour. The overall chromatic warmth of the figure contrasts gently with the cooler, more silvery atmosphere of his landscape work from the same period.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
65 × 54.5 cm
Era
Impressionism
Style
Impressionism
Genre
Portrait
Location
National Gallery of Art, Washington, D.C.
View on museum website →

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Nymphs Leaving the Bath

Jean Baptiste Camille Corot·1843

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Haydée

Jean Baptiste Camille Corot·19th century

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