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Jacob Bell (1810–1859), Founder of the Pharmaceutical Society, President (1856–1859) by Edwin Henry Landseer

Jacob Bell (1810–1859), Founder of the Pharmaceutical Society, President (1856–1859)

Edwin Henry Landseer·c. 1838

Historical Context

This portrait of Jacob Bell (1810–1859), the pharmaceutical chemist who founded the Pharmaceutical Society of Great Britain, records one of Landseer’s closest friends and greatest patrons. Bell bequeathed his extensive collection of Landseer’s works to the nation upon his death, forming a significant portion of the Landseer holdings in British public collections. Edwin Henry Landseer, the most celebrated animal painter in Victorian Britain, combined exceptional technical mastery of animal anatomy with the capacity to invest his subjects with human emotional significance. His training under Benjamin West at the Royal Academy gave him the academic foundations; his lifelong observation of animals in the wild (particularly in Scotland) and in captivity gave him the specific knowledge that made his animals convincing. Queen Victoria's patronage and the wide dissemination of his work through engravings made his images of dogs, deer, and Highland scenes among the most reproduced images of the Victorian era, shaping the culture's visual understanding of the animal world and the British landscape.

Technical Analysis

The portrait presents Bell in a direct, dignified manner reflecting the sitter’s professional standing. Landseer’s handling of the face shows careful attention to likeness while maintaining the warmth characteristic of his approach to personal friends.

Look Closer

  • ◆Jacob Bell is shown without his greatest Landseer paintings in the background — a modest portrait reflecting friendship rather than collection.
  • ◆Landseer's handling of Bell's face is warmer and more intimate than his aristocratic commissions — the portrait of a friend observed.
  • ◆Bell's pharmaceutical professional identity is conveyed through his direct, intelligent gaze rather than any occupational attribute.
  • ◆The relatively small scale of the portrait suits the private relationship between the two men — a personal document, not a public statement.

See It In Person

The Robert Gordon University

Aberdeen City,

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
90 × 70 cm
Era
Romanticism
Style
British Romanticism
Genre
Portrait
Location
The Robert Gordon University, Aberdeen City
View on museum website →

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Wounded Stag and Dog

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Copy after Rubens's "Wolf and Fox Hunt" by Edwin Henry Landseer

Copy after Rubens's "Wolf and Fox Hunt"

Edwin Henry Landseer·ca. 1824–26

Dying Stag by Edwin Henry Landseer

Dying Stag

Edwin Henry Landseer·ca. 1830

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