ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Jacob y Raquel en el pozo by Luca Giordano

Jacob y Raquel en el pozo

Luca Giordano·1653

Historical Context

Jacob and Rachel at the Well depicts the meeting scene from Genesis 29, when Jacob encountered his cousin Rachel at a well in Haran and was so overwhelmed by her beauty that he rolled the stone from the well's mouth — a feat normally requiring several men — to water her flock, then kissed her and wept with joy. The encounter was among the most romantic in the patriarchal narratives, the sudden powerful attraction between the future matriarch and patriarch of Israel given the setting of practical agrarian life. Giordano treated this subject in an outdoor pastoral setting, the well providing both practical context and the symbolic associations of living water and fertility that wells carried in Near Eastern culture. The Spanish acquisition of this work connects it to the Old Testament series Giordano produced during his decade at the Spanish court, where the full narrative arc of Genesis from Abraham through Joseph provided material for a comprehensive cycle of Old Testament illustration.

Technical Analysis

The well provides a compositional focal point for the encounter between the two figures. The pastoral setting and warm palette create an atmosphere of romantic anticipation in this early work.

Look Closer

  • ◆Notice this is an early work (1653) showing the young Giordano already commanding biblical narrative: the well setting and the figural encounter are handled with a confidence that belies his approximately twenty-year-old age.
  • ◆Look at the pastoral atmosphere and warm palette creating romantic anticipation: Giordano reads the encounter at the well through the lens of Venetian pastoral tradition, making a patriarchal betrothal feel like a Renaissance romance.
  • ◆Find the well as compositional focal point — the stone structure around which the meeting occurs provides spatial anchoring for the encounter.
  • ◆Observe that the Prado holds both early (1653) and late (1694–1702) Giordano works, allowing the collection to function as a narrative of his entire career development from precocious youth to acknowledged master.

See It In Person

Museo del Prado

Madrid, Spain

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
84 × 122 cm
Era
Baroque
Style
Italian Baroque
Genre
Religious
Location
Museo del Prado, Madrid
View on museum website →

More by Luca Giordano

The Abduction of the Sabine Women by Luca Giordano

The Abduction of the Sabine Women

Luca Giordano·c. 1675

The Flight into Egypt by Luca Giordano

The Flight into Egypt

Luca Giordano·1701

The Annunciation by Luca Giordano

The Annunciation

Luca Giordano·1672

The Virgin and Child Appearing to Saint Francis of Assisi by Luca Giordano

The Virgin and Child Appearing to Saint Francis of Assisi

Luca Giordano·1680s

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612

The Flight into Egypt by Abraham Jansz. van Diepenbeeck

The Flight into Egypt

Abraham Jansz. van Diepenbeeck·c. 1650