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John Hobart, 2nd Earl of Buckinghamshire (1723-1793)
Thomas Gainsborough·1784
Historical Context
John Hobart, 2nd Earl of Buckinghamshire, painted in 1784 and held by the National Trust, was a diplomat and administrator of considerable experience: Ambassador to Russia under Catherine the Great and Lord Lieutenant of Ireland during the crisis years of 1776-1780. Gainsborough painted him at full length, the scale appropriate to a man of his political rank, in the restrained but authoritative manner he had developed for male official portraiture. The work belongs to the same year as the Baillie Family portrait, 1784, when Gainsborough's London practice was at its most productive in terms of grand commissions. National Trust properties across Britain hold a remarkable concentration of eighteenth-century portraiture in the domestic settings for which such works were originally made, giving the Hobart portrait a context — a country house wall — that reconnects it to its original function as a statement of family continuity and aristocratic identity.
Technical Analysis
Gainsborough presents the earl with the restrained elegance of his mature portrait style, using warm tones and fluid handling. The atmospheric softness and subtle characterization are typical of his late aristocratic portraits.
Look Closer
- ◆Notice the restrained elegance of the mature portrait style: Gainsborough gives the Earl presence without resorting to props or theatrical staging.
- ◆Look at the atmospheric softness of the background: this is the mature London style at full development, background dissolved to near-nothing.
- ◆Observe the warm tones and fluid handling of the coat and accessories: diplomatic and political authority rendered in paint without ostentation.
- ◆Find the face: Gainsborough's psychological acuity is present even in more formal commissions — Buckinghamshire looks like a man with things on his mind.

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