_-_John_Parker_(1734-1735%E2%80%931788)%2C_1st_Baron_Boringdon_(incorrectly_inscribed_as_John_Parker%2C_1734-1735%E2%80%931788%2C_Lord_Boringdon)_-_872142_-_National_Trust.jpg&width=1200)
John Parker, 1st Baron Boringdon (1734/5-1788)
Joshua Reynolds·1767
Historical Context
Reynolds painted John Parker, 1st Baron Boringdon, around 1767, depicting the Devon landowner who was among his most loyal and sustained patrons. Parker's seat at Saltram House in Devon placed him geographically close to Reynolds's own origins in Plymouth, and the long relationship between the painter and the Parker family produced one of the most significant in situ collections of his work anywhere in Britain. Reynolds visited Saltram multiple times, painting John Parker, his wife Theresa, their children, and other family members across several decades; the resulting body of work constitutes a domestic portrait gallery of remarkable completeness. Parker was elevated to the peerage as Baron Boringdon in 1784, but Reynolds had been painting him since the 1760s, and the relationship between painter and patron transcended the merely commercial dimensions of most portraiture commissions. Now in a National Trust property at Saltram, the canvas hangs in the house where Parker himself lived, making it one of the relatively small number of Reynolds portraits that can still be seen in the domestic context for which they were created.
Technical Analysis
The portrait presents the baron with country gentleman authority. Reynolds's warm palette and refined handling create an image of landed dignity.
Look Closer
- ◆The Devon landowner who was among Reynolds's most loyal patrons is depicted here — the portrait of personal as well as professional connection.
- ◆The warm, natural treatment Reynolds brings to a trusted provincial patron differs from the effort he made on fashionable new clients.
- ◆The honest characterization of a man Reynolds knew over many years of country house commissions shows the depth of the relationship.
- ◆The Grand Manner formula applied with the ease of familiarity rather than the effort of first impression reads as sincere.
See It In Person
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