ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Julie Le Brun jouant de la guitare by Élisabeth-Louise Vigée Le Brun

Julie Le Brun jouant de la guitare

Élisabeth-Louise Vigée Le Brun·1797

Historical Context

This canvas depicting Julie Le Brun playing guitar was painted in 1797, during Vigée Le Brun's exile years in Italy and Germany following her departure from Revolutionary France in 1789. Julie was Vigée Le Brun's daughter, born in 1780, and the artist painted her repeatedly throughout her childhood and adolescence — creating an intimate visual record of maternal love and artistic practice intertwined. The guitar-playing subject places Julie in the tradition of genteel female accomplishments while also functioning as a genre interior in its focus on music-making as a domestic activity. The Zoubov Foundation Museum holds this canvas, connecting it to the Russian and Baltic context in which many of Vigée Le Brun's exile works eventually settled. The painting has the warmth and directness of observation from a beloved model rather than the formality of a commissioned portrait.

Technical Analysis

Vigée Le Brun's fluid, warm handling is well-suited to the domestic informality of the subject. Julie is painted with the intimacy of private observation — the setting is unpretentious, the light naturalistically warm. The guitar is rendered with appropriate material care, its wooden surface and strings given accurate physical presence.

Look Closer

  • ◆Julie's concentration on the instrument gives the composition a sense of captured moment — a still from an activity rather than a formal pose
  • ◆The guitar's wooden body catches light in a way that distinguishes its surface quality from the textile of the dress and the skin of the hands
  • ◆The domestic setting — whatever interior elements are present — conveys the intimacy of a private moment observed
  • ◆The warmth of the flesh tones reflects the maternal intimacy of the relationship between painter and model

See It In Person

Zoubov Foundation Museum

,

Visit museum website →

Quick Facts

Medium
canvas
Era
Neoclassicism
Genre
Genre
Location
Zoubov Foundation Museum, undefined
View on museum website →

More by Élisabeth-Louise Vigée Le Brun

Julie Le Brun (1780–1819) Looking in a Mirror by Élisabeth-Louise Vigée Le Brun

Julie Le Brun (1780–1819) Looking in a Mirror

Élisabeth-Louise Vigée Le Brun·1787

Madame d'Aguesseau de Fresnes by Élisabeth-Louise Vigée Le Brun

Madame d'Aguesseau de Fresnes

Élisabeth-Louise Vigée Le Brun·1789

The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien by Élisabeth-Louise Vigée Le Brun

The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien

Élisabeth-Louise Vigée Le Brun·1787

Madame du Barry by Élisabeth-Louise Vigée Le Brun

Madame du Barry

Élisabeth-Louise Vigée Le Brun·1782

More from the Neoclassicism Period

Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

Anton Raphael Mengs·1747–48

View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770