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Jupiter enfant nourri par la chèvre Amalthée by Nicolas Poussin

Jupiter enfant nourri par la chèvre Amalthée

Nicolas Poussin·1639

Historical Context

Jupiter as a Child Fed by the Goat Amalthea from 1639 at the Gemäldegalerie Berlin depicts the nurturing of the future king of the gods, hidden from his father Saturn who had been devouring his children. The myth of the infant Jupiter's concealment and divine nurture was a subject that Poussin treated with particular warmth — the future thunderer as helpless infant, dependent on a goat's milk and nymphs' care, represented a characteristic classical meditation on the vulnerability of divine power in its origins. Working in Rome from 1624 onwards, Poussin served a cultivated international clientele who prized his learned approach to classical antiquity, and the Jupiter-Amalthea subject combined mythological erudition with a pastoral warmth that made such compositions particularly appealing to collectors. The Gemäldegalerie Berlin holds this alongside other Poussin mythological paintings as part of its distinguished collection of seventeenth-century French and Italian painting.

Technical Analysis

The pastoral composition combines mythological figures with landscape. Poussin's measured classical handling and warm palette create a scene of divine nurture.

Look Closer

  • ◆The infant Jupiter's raised arm reaches toward the goat's udder — Poussin captures a specific nursing moment rather than a generalized infant pose, grounding the divine in the physical.
  • ◆The nymph Amalthea's expression combines maternal tenderness with the reverence appropriate to tending a future king of the gods — Poussin reads theological complexity into facial expression.
  • ◆A rich red drapery behind the figures provides chromatic warmth and compositional backdrop, its folds arranged by Poussin as carefully as the figures' poses.
  • ◆The goat Amalthea is rendered with specific caprine anatomy — the horizontal pupils of the eye, the particular profile of the head — naturalistically observed.
  • ◆A garland of flowers and fruit near the composition's lower edge alludes to the golden age of plenty that Jupiter's eventual reign would usher in — a prospective symbol woven into the birth scene.

See It In Person

Gemäldegalerie Berlin

Berlin, Germany

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
97 × 133 cm
Era
Baroque
Style
French Baroque
Genre
Mythology
Location
Gemäldegalerie Berlin, Berlin
View on museum website →

More by Nicolas Poussin

Landscape with Saint John on Patmos by Nicolas Poussin

Landscape with Saint John on Patmos

Nicolas Poussin·1640

Orpheus and Eurydice by Nicolas Poussin

Orpheus and Eurydice

Nicolas Poussin·1650

The Holy Family on the Steps by Nicolas Poussin

The Holy Family on the Steps

Nicolas Poussin·1648

Nymphs and a Satyr (Amor Vincit Omnia) by Nicolas Poussin

Nymphs and a Satyr (Amor Vincit Omnia)

Nicolas Poussin·c. 1625–27

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612

The Flight into Egypt by Abraham Jansz. van Diepenbeeck

The Flight into Egypt

Abraham Jansz. van Diepenbeeck·c. 1650