ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Justice by Titian

Justice

Titian·1508

Historical Context

Justice, painted around 1508 and located at the Galleria Giorgio Franchetti alla Ca’ d’Oro in Venice, is a fragment from a fresco Titian painted on the exterior of the Fondaco dei Tedeschi, the German merchants’ warehouse near the Rialto Bridge. This early public commission, shared with Giorgione who painted the opposite facade, established the young Titian’s reputation in Venice. The surviving fragments show a monumental female figure representing Justice, rendered with the bold color and confident drawing that distinguished Titian’s contribution from Giorgione’s more elusive style. The Ca’ d’Oro preserves these precious fragments of one of Venice’s most famous lost decorative programs.

Technical Analysis

The broadly painted figure demonstrates the young Titian's aptitude for monumental fresco-inspired forms, with bold contours and warm flesh tones set against an atmospheric background.

Look Closer

  • ◆The allegorical figure of Justice was designed for a Palazzo Ducale ceiling, requiring careful foreshortening for below-angle viewing.
  • ◆Justice holds her traditional attribute of a sword, the symbol of righteous power and the authority to punish.
  • ◆The figure's muscular dynamism reflects Titian's early engagement with monumental figure painting on a public scale.
  • ◆Rich drapery swirls around the figure in a manner that anticipates Baroque ceiling decoration by a full century.

Condition & Conservation

This fresco is in the Palazzo Ducale, Venice. As a fresco, it has been subject to environmental deterioration including humidity damage and plaster degradation. Conservation has addressed structural issues in the wall surface and stabilized the paint layer. The work is less well-known than Titian's canvas paintings but demonstrates his early ambition for monumental decoration.

See It In Person

Galleria Giorgio Franchetti alla Ca' d'Oro

Venice,

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
212 × 346 cm
Era
High Renaissance
Style
High Renaissance
Genre
Allegory
Location
Galleria Giorgio Franchetti alla Ca' d'Oro, Venice
View on museum website →

More by Titian

Portrait of a Lady by Titian

Portrait of a Lady

Titian·1545

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Emilia di Spilimbergo by Titian

Emilia di Spilimbergo

Titian·c. 1560

Irene di Spilimbergo by Titian

Irene di Spilimbergo

Titian·c. 1560

More from the High Renaissance Period

Domenico da Gambassi by Andrea del Sarto

Domenico da Gambassi

Andrea del Sarto·1525–28

Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515

Virgin and Child with Saint Anne, Saint Gereon, and a Donor by Bartholomaeus Bruyn the Elder

Virgin and Child with Saint Anne, Saint Gereon, and a Donor

Bartholomaeus Bruyn the Elder·1520

Scenes from the Life of Saint John the Baptist by Bartolomeo di Giovanni

Scenes from the Life of Saint John the Baptist

Bartolomeo di Giovanni·1490/95