
Konzert bei Bilse
Adolph von Menzel·1871
Historical Context
Painted in 1871 in gouache and held in the Kupferstichkabinett Berlin, 'Konzert bei Bilse' (Concert at Bilse's) depicts the popular outdoor or indoor concerts given by the conductor Benjamin Bilse in Berlin, which were among the most democratic musical institutions of nineteenth-century German urban life — affordable concerts that mixed popular and serious music for a broadly middle-class audience. Menzel's interest in public entertainment venues extended from ballrooms and theatres to these more populist concert settings. The gouache medium, like pastel, allowed rapid atmospheric notation. The Kupferstichkabinett's collection of Menzel works on paper is one of the most important holdings of his private and documentary practice. Menzel's consistent attention to Berlin's popular cultural institutions, from elite ballrooms to populist concerts, gives his social panorama an unusual breadth.
Technical Analysis
The gouache medium provides a matte, opaque quality that suits the artificial interior lighting of the concert venue — Menzel can lay down light colours over dark without the transparency constraints of watercolour.
Look Closer
- ◆The gouache medium's opacity allows Menzel to render light clothing and illuminated faces over darker areas without glazing
- ◆Look for the concert performers and their positioning relative to the listening audience
- ◆The social range of the concert's audience — Bilse's concerts were deliberately accessible — is suggested through the variety of figures
- ◆Artificial lighting in the concert hall creates the warm interior atmosphere Menzel distinguishes from his daylit subjects

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