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L'Annonciation - Bonifacio De' Pitati
Historical Context
L'Annonciation — the Annunciation — attributed to Bonifacio de' Pitati (Bonifazio Veronese) and held in the Gallerie dell'Accademia in Venice, depicts the moment described in Luke 1:26–38 when the archangel Gabriel announces to the Virgin Mary that she will bear the Son of God. The Annunciation was the foundational event of Christian salvation history, and its pictorial tradition was ancient and highly codified by Bonifazio's time: Gabriel descending from the left, the Virgin humble or surprised at a reading desk or kneeling at prayer, the dove of the Holy Spirit above, and often a lily of purity nearby. Bonifazio's version transposes this canonical scheme into Venetian terms — warm light, rich colour, a spacious architectural setting. The Accademia holds it as part of its deep representation of Venetian painting from the fifteenth through eighteenth centuries, where Bonifazio appears alongside the artists who shaped and were shaped by his work. The undated attribution to Bonifazio places it within his broad productive output for Venetian ecclesiastical contexts.
Technical Analysis
Oil on canvas, the painting exploits the Venetian convention of warm amber light flooding the scene from one direction to model the figures in soft chiaroscuro. Gabriel's garments and the Virgin's drapery are handled with the layered glazing approach Bonifazio favoured, building luminous colour through multiple translucent passages. The architectural setting is rendered with perspective geometry establishing depth behind the two principal figures.
Look Closer
- ◆Gabriel's arrival is signalled by a dynamic entry posture — wings still in motion, body inclined toward Mary — freezing the first instant of divine encounter
- ◆Mary's response — often shown in mid-gesture of surprise or composed acceptance — is the devotional and theological centre of the composition
- ◆The lily, nearly always present in Annunciation imagery, appears as a symbol of virginal purity, often in a vase between the two figures
- ◆Warm light floods the architectural space from an unseen divine source above, distinct from natural window light, marking the supernatural character of the event
See It In Person
More by Bonifazio Veronese

The Holy Family with Tobias and the Angel, Saint Dorothy, Giovannino, and the Miracle of the Corn beyond
Bonifazio Veronese·1500
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Portrait of a Young Man
Bonifazio Veronese·1515

Christ Addressing the People
Bonifazio Veronese·1520

Madonna and Child with St Catherine, St John the Baptist, St Dorotea and St Anthony the Abbot
Bonifazio Veronese·1523



