
La Donna della Fiamma
Historical Context
La Donna della Fiamma — the Woman of the Flame — at Manchester Art Gallery is a pastel of 1870 that belongs to Rossetti's mature symbolic figure series. The fiamma (flame) as an attribute positions this female figure within the tradition of love personified as burning — imagery with roots in Dante, Petrarch, and the Provencal love lyric tradition that Rossetti had absorbed through his reading in medieval Italian literature. Pastel was not Rossetti's primary medium but he returned to it periodically for its capacity to achieve rich, warm color effects with a directness that oil required many layers to produce. Manchester's Pre-Raphaelite collection documents Rossetti's symbolic figure work in a medium different from his more famous canvases.
Technical Analysis
Pastel allows for a directness of color application — particularly in warm, saturated reds and oranges associated with flame — that suits the subject's symbolic content. The medium's powdery texture and the soft blending possible in it create a different surface quality from Rossetti's oil works.
Look Closer
- ◆The flame attribute — held, reflected in eyes, or incorporated into the costume — anchors the figure's symbolic identity
- ◆Pastel's capacity for warm, direct color is exploited in the rich reds and golds associated with fire and passion
- ◆The figure's hair, rendered in pastel, takes on a softer and more atmospheric quality than in Rossetti's oil works
- ◆The warm coloristic range of the fiamma subject contrasts with the cooler blues and greys of Rossetti's sea or moon subjects







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