ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Lady Louisa Barbara Rolle (1796–1885) by Thomas Lawrence

Lady Louisa Barbara Rolle (1796–1885)

Thomas Lawrence·1830

Historical Context

Lady Louisa Barbara Rolle, painted by Lawrence around 1830 and now in Great Torrington Town Hall, is almost certainly one of his very last completed portraits — he died on January 7, 1830, and works dated to 1830 were typically finished in the first days of that year or completed posthumously from unfinished canvases by his assistants. Lady Rolle was a wealthy Devon landowner, her family holding substantial estates in north Devon including the area around Great Torrington. The enormous scale — 269 by 175.2 centimeters — represents the most ambitious full-length commission appropriate for a woman of wealth and county significance, and Lawrence's ability to maintain this scale and ambition in what were literally the final months of his life demonstrates the technical mastery that remained undiminished even as his health declined. Great Torrington Town Hall's holding connects the portrait to the local Devon heritage of the Rolle family, whose estates and charitable activities shaped the town's development. Lawrence's final portraits show his technique at its most atmospheric and free: the forms dissolving into light and color at the edges, the central presence emerging from an almost impressionistic dissolution of the surrounding space.

Technical Analysis

Lawrence captures the youthful beauty of the sitter with his characteristic luminous treatment of skin, the eyes bright and engaging. The late date places this among Lawrence's final works, yet the handling shows no diminution of his powers in rendering fabric, flesh, and the sparkle of personality.

Look Closer

  • ◆Notice the luminous skin and bright, engaging eyes: this is one of Lawrence's final works, painted just before his death, and the technique shows no diminution.
  • ◆Look at the careful handling of the fabric and the sparkle of personality: Lawrence maintained his gifts to the very end.
  • ◆Observe the Great Torrington location: Lady Louisa's portrait lives in the Devon town connected to the Rolle family's estates.
  • ◆Find the technical continuity with Lawrence's earliest female portraits: forty years of practice, but the luminous warmth is consistent.

See It In Person

Great Torrington Town Hall

Great Torrington,

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
269 × 175.2 cm
Era
Romanticism
Style
British Romanticism
Genre
Portrait
Location
Great Torrington Town Hall, Great Torrington
View on museum website →

More by Thomas Lawrence

Anna Maria Dashwood, later Marchioness of Ely by Thomas Lawrence

Anna Maria Dashwood, later Marchioness of Ely

Thomas Lawrence·c. 1805

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby by Thomas Lawrence

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby

Thomas Lawrence·1790

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894) by Thomas Lawrence

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894)

Thomas Lawrence·1823

Portrait of the Honorable George Canning, M.P. by Thomas Lawrence

Portrait of the Honorable George Canning, M.P.

Thomas Lawrence·c. 1822

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836