
Le Petit-Pont, après l'incendie de 1718
Jean-Baptiste Oudry·1718
Historical Context
This 1718 painting of the Petit-Pont after the fire of that year is among the most historically specific of Oudry's surviving works: it documents an actual event—the destruction by fire of the medieval bridge—as witnessed in contemporary Paris. The Petit-Pont, one of the oldest crossing points over the Seine near the Île de la Cité, had a history of fire, and the 1718 blaze was a significant urban event. Oudry's decision to document it places him briefly within the tradition of urban topography and disaster documentation that ran alongside the mainstream of decorative painting in eighteenth-century France. The Musée Carnavalet, Paris's museum of city history, holds the work as part of its comprehensive collection of visual documents of Parisian life. This painting is remarkable as evidence that Oudry, otherwise known as a specialist in animals, hunts, and fables, was also responsive to the contemporary world around him.
Technical Analysis
Documenting a fire aftermath required Oudry to handle burnt and damaged architecture, smoke-stained stonework, and the debris of destruction—subjects quite different from his usual animal work. His approach combined the topographic accuracy of view painting with the atmospheric handling appropriate to the smoke-heavy aftermath of a major fire. The Seine and its reflections provided a horizontal counterpoint to the vertical drama of the damaged bridge.
Look Closer
- ◆Smoke-blackened stonework rendered through warm ochre tones overlaid with grey glazes
- ◆The Seine's surface reflecting the damaged structure, its calm providing contrast to the fire's violence
- ◆Human figures, if present, scaled to suggest the bridge's civic scale and the community's response
- ◆Charred timbers or collapsed sections indicating specific points of destruction with documentary precision


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