
Le repos pendant la fuite en Egypte
Nicolas Poussin·1629
Historical Context
Rest During the Flight into Egypt from 1629 at the Reinhart Collection in Winterthur shows Poussin treating the Holy Family's escape to Egypt with the pastoral warmth of his early period, combining sacred narrative with an idealized landscape in the manner of classical bucolic poetry. The Rest on the Flight into Egypt — the Holy Family pausing in their journey, often shown with Joseph drawing water or gathering fruit, the Virgin nursing the Child — was one of the most intimate and humanly approachable subjects in Christian iconography, and Poussin's pastoral setting enhanced this domestic warmth. Working in Rome from 1624 onwards, he served a cultivated international clientele that included French, Italian, and Flemish collectors who appreciated the combination of sacred narrative and pastoral beauty his early works provided. His warm early palette gives this painting the sensuous charm of his first Roman decade before classical austerity became his primary mode. The Museum Collection Am Römerholz in Winterthur holds this as an example of Poussin's early pastoral-sacred style.
Technical Analysis
The figures rest within a serene landscape organized with classical principles. Poussin's warm palette and balanced composition create an atmosphere of sacred pastoral peace.
Look Closer
- ◆The resting Holy Family is arranged in a pyramidal group that describes both physical closeness and the hierarchy of their sacred relationships.
- ◆Joseph sleeps upright against a tree or column — present but slightly apart, the guardian rather than a participant in the maternal intimacy.
- ◆The 1629 landscape is warmer and greener than Poussin's later classicized settings — an Italianate pastoral warmth not yet replaced by Roman ideal.
- ◆An angel or cherub watches over the sleeping family from above, divine protection made visible as a small, gentle presence in the foliage.





