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Les attributs des Sciences by Jean Siméon Chardin

Les attributs des Sciences

Jean Siméon Chardin·1731

Historical Context

Chardin's 'Les attributs des Sciences' of 1731 belongs to a group of decorative overdoor paintings — trophies of learning — that demonstrate his ability to work within a commissioned programme while maintaining his characteristic formal intelligence. The sciences and the arts were frequent subjects for overdoor decorations in aristocratic and upper-bourgeois French interiors of the period, providing a suitably elevated subject in a location that did not demand the full concentration reserved for cabinet pictures. Chardin's treatment avoids the allegorical figure-work typical of such programmes, instead deploying actual scientific instruments — globes, books, a telescope — as if found arranged on a surface rather than arranged by allegory. The Musée Jacquemart-André in Paris, a former private mansion now operating as a museum, preserves the work as part of a collection that reflects the taste of wealthy French collectors of the nineteenth century.

Technical Analysis

The composition is organised along a low, broad horizontal, suited to the overdoor format. Chardin renders the varied surfaces of books, brass instruments, and paper with the same methodical attention he brought to kitchen objects, using tonal modelling rather than linear description. Warm and cool notes are carefully balanced to prevent the muted palette from becoming monotonous.

Look Closer

  • ◆Brass scientific instruments catch the light with a warm metallic gleam distinct from the cooler paper surfaces
  • ◆Book spines are differentiated by subtle variations in colour and surface sheen rather than legible lettering
  • ◆The broad horizontal format reflects the painting's original function as an overdoor decoration
  • ◆Overlapping objects create spatial recession without the need for an explicit background perspective

See It In Person

Musée Jacquemart-André

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Quick Facts

Medium
canvas
Era
Rococo
Genre
Genre
Location
Musée Jacquemart-André, undefined
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More by Jean Siméon Chardin

The White Tablecloth by Jean Siméon Chardin

The White Tablecloth

Jean Siméon Chardin·c. 1731–32

Kitchen Utensils with Leeks, Fish, and Eggs by Jean Siméon Chardin

Kitchen Utensils with Leeks, Fish, and Eggs

Jean Siméon Chardin·c. 1734

Still Life with Herrings by Jean Siméon Chardin

Still Life with Herrings

Jean Siméon Chardin·c. 1735

The House of Cards by Jean Siméon Chardin

The House of Cards

Jean Siméon Chardin·probably 1737

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700