
Les attributs des Sciences
Jean Siméon Chardin·1731
Historical Context
Chardin's 'Les attributs des Sciences' of 1731 belongs to a group of decorative overdoor paintings — trophies of learning — that demonstrate his ability to work within a commissioned programme while maintaining his characteristic formal intelligence. The sciences and the arts were frequent subjects for overdoor decorations in aristocratic and upper-bourgeois French interiors of the period, providing a suitably elevated subject in a location that did not demand the full concentration reserved for cabinet pictures. Chardin's treatment avoids the allegorical figure-work typical of such programmes, instead deploying actual scientific instruments — globes, books, a telescope — as if found arranged on a surface rather than arranged by allegory. The Musée Jacquemart-André in Paris, a former private mansion now operating as a museum, preserves the work as part of a collection that reflects the taste of wealthy French collectors of the nineteenth century.
Technical Analysis
The composition is organised along a low, broad horizontal, suited to the overdoor format. Chardin renders the varied surfaces of books, brass instruments, and paper with the same methodical attention he brought to kitchen objects, using tonal modelling rather than linear description. Warm and cool notes are carefully balanced to prevent the muted palette from becoming monotonous.
Look Closer
- ◆Brass scientific instruments catch the light with a warm metallic gleam distinct from the cooler paper surfaces
- ◆Book spines are differentiated by subtle variations in colour and surface sheen rather than legible lettering
- ◆The broad horizontal format reflects the painting's original function as an overdoor decoration
- ◆Overlapping objects create spatial recession without the need for an explicit background perspective






