
Les Deux Avocats
Honoré Daumier·1856
Historical Context
Les Deux Avocats (The Two Lawyers) belongs to Daumier's extensive treatment of the French legal profession — a subject that occupied him across his entire career in both lithographs and paintings. Two lawyers in professional consultation allowed him to observe the dynamics of professional male sociability: the shared language of legal argument, the professional solidarity of the bar, the comfortable cynicism of men whose work required them to argue any position with equal conviction. The subject connects to Daumier's broader social observation of the bourgeois professions — doctors, lawyers, and men of business who formed the backbone of the July Monarchy and Second Empire bourgeoisie. Two figures rather than three creates a more intimate dynamic than the group lawyer subjects, placing the emphasis on dialogue and mutual professional understanding rather than on collective display. Daumier's consistent visual treatment of lawyers — dark robes, expressive faces above the simplified forms of professional dress — reaches one of its cleaner formulations in this two-figure composition.
Technical Analysis
The two-figure dialogue structure is organized around contrasting physical orientations — one forward, one in profile or three-quarter — that create a sense of active exchange. The dark professional robes provide simplified forms that set off the more carefully rendered faces above them.
Look Closer
- ◆The facing orientation of the two lawyers establishes their exchange as dialogue rather than parallel monologue
- ◆Professional robes create dark simplified masses that concentrate attention on the expressively rendered faces
- ◆The physical distance between the figures communicates either professional intimacy or calculated formality
- ◆Daumier's handling of each face differentiates them as distinct professional types within the broad category of the






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