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Les Salinieres near Trouville by Richard Parkes Bonington

Les Salinieres near Trouville

Richard Parkes Bonington·1827

Historical Context

Les Salinières near Trouville from 1827, now in the National Galleries of Scotland, depicts the salt marshes along the Normandy coast that Bonington returned to repeatedly throughout his brief career. The flat, expansive terrain of the Norman littoral — its wide skies, its tidal flats, its subtle atmospheric effects — provided ideal conditions for the study of light and weather that was central to his artistic development. Bonington had settled in France while still a teenager, training in Paris and making regular painting expeditions to the Normandy coast, where his English sensibility responded to French landscape with a freshness that impressed both French and British contemporaries. He died in 1828 at twenty-five, and Les Salinières belongs to the final year of his productive life, when his technique was at its most assured. The National Galleries of Scotland holds this as part of an important collection of British and French Romantic painting, and the Trouville salt marshes subject demonstrates Bonington's characteristic approach: the broad sky dominating the composition, the low landscape rendered in subtle tonal gradations, the quality of coastal light captured through transparent, luminous oil handling that his contemporaries — including Delacroix — recognized as entirely original.

Technical Analysis

The broad, luminous sky dominates the composition, with the low-lying landscape rendered in subtle tonal gradations that capture the distinctive quality of coastal light.

Look Closer

  • ◆The sky is the true subject—a towering cloud formation takes up nearly three-quarters.
  • ◆Figures on the marsh path are rendered with just a few strokes, their scale reinforcing.
  • ◆Bonington uses a near-monochrome palette of cream, grey, and buff, interrupted by a single warm.
  • ◆The wet ground acts as a partial mirror, repeating inverted sky shapes in muted tones.

See It In Person

National Galleries Scotland

Edinburgh, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
22.9 × 35.3 cm
Era
Romanticism
Style
British Romanticism
Genre
Landscape
Location
National Galleries Scotland, Edinburgh
View on museum website →

More by Richard Parkes Bonington

View on the Grounds of a Villa near Florence by Richard Parkes Bonington

View on the Grounds of a Villa near Florence

Richard Parkes Bonington·1826

Roadside Halt by Richard Parkes Bonington

Roadside Halt

Richard Parkes Bonington·1826

View near Rouen by Richard Parkes Bonington

View near Rouen

Richard Parkes Bonington·ca. 1825

The Doge's Palace, Venice by Richard Parkes Bonington

The Doge's Palace, Venice

Richard Parkes Bonington·1826

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836