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Louis-Philippe-Joseph (1747–1793), duc de Montpensier, Later duc d'Orléans
François Boucher·1749
Historical Context
Louis-Philippe-Joseph, duc de Montpensier at a National Trust property (1749) depicts the young prince who would later become infamous as Philippe Égalité, the Orléans prince who voted for Louis XVI's execution during the Revolution and was himself guillotined in 1793. In 1749 this future regicide was just two years old, depicted by Boucher in the manner of royal childhood portraiture that presented young aristocrats as miniature adults in aristocratic dress. Boucher painted several members of the Orléans family, whose cultural refinement and wealth made them among the most important non-royal patrons of Rococo art. The duke of Montpensier's later political radicalism gives this infant portrait a retrospective irony: the child in silk painted by France's most decorative court painter would grow up to help dismantle the world in which such paintings were made. The National Trust's holdings of French eighteenth-century art reflect the collecting activities of British aristocrats on the Grand Tour.
Technical Analysis
The portrait of the young prince is rendered with refined handling and warm palette. Boucher's treatment combines royal formality with childhood charm.
Look Closer
- ◆The infant Louis-Philippe is depicted with the trappings of his future rank — blue sash, fine dress — the court painter coding social destiny into a child's portrait.
- ◆Boucher uses soft, atmospheric sfumato for the child's face — infants always handled with more tenderness than adults in his portraiture.
- ◆A toy or pet gives the child an activity that makes the formal pose more naturalistic — childhood props as humanizing details in royal commissions.
- ◆The warm golden light Boucher applied to royal commissions distinguishes them from his more varied and less elevated pastoral palette.
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