ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Macbeth: the apparition of the kings by Théodore Chassériau

Macbeth: the apparition of the kings

Théodore Chassériau·1857

Historical Context

This 1857 wood panel depicting the apparition of the kings from Macbeth was produced just two years after Chassériau's death, making its posthumous dating uncertain — it may have been completed in his final years or left in studio. The scene from Shakespeare's Macbeth shows Macbeth confronted by the procession of future kings shown to him by the witches, a vision of dynastic succession that torments him. Chassériau brought to this Shakespearean subject the same fusion of literary seriousness and pictorial richness that characterised his engagement with Byron and Ariosto. The Louvre holds this panel among its extensive holdings of his work. The supernatural quality of the subject — ghostly apparitions in a theatrical darkness — suited Chassériau's atmospheric, psychologically engaged later manner.

Technical Analysis

The panel support and the supernatural subject suggest a deliberately intimate, private register — this is a concentrated investigation of an atmospheric, psychologically intense moment. The apparitional figures require handling that conveys their uncanny, spectral quality, achieved through softened edges and restrained colour rather than sharp neoclassical precision.

Look Closer

  • ◆The procession of spectral kings appears as a vision rather than physical presences — their spectral quality conveyed through softened edges and restrained colour
  • ◆Macbeth's confrontation with the apparition is the psychological centre of the image — his response to the vision carries more weight than the apparition itself
  • ◆The darkness of the setting creates the theatrical atmosphere appropriate to the witches' prophecy scene
  • ◆The wood panel gives the sketch a dense, warm surface quality that suits the interior, nocturnal character of the Shakespearean moment

See It In Person

Department of Paintings of the Louvre

,

Visit museum website →

Quick Facts

Medium
wood
Era
Romanticism
Genre
Genre
Location
Department of Paintings of the Louvre, undefined
View on museum website →

More by Théodore Chassériau

Saracens and Crusaders by Théodore Chassériau

Saracens and Crusaders

Théodore Chassériau·c. 1846

Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850) by Théodore Chassériau

Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850)

Théodore Chassériau·1841

Desdemona (The Song of the Willow) by Théodore Chassériau

Desdemona (The Song of the Willow)

Théodore Chassériau·1849

The Toilette of Esther by Théodore Chassériau

The Toilette of Esther

Théodore Chassériau·1841

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836