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Magdalene Altar: St Valentine [fixed wing panel] by Lucas Cranach the Elder

Magdalene Altar: St Valentine [fixed wing panel]

Lucas Cranach the Elder·1522

Historical Context

The Magdalene Altar panel depicting Saint Valentine (c.1522) is one of the fixed wing panels from Cardinal Albrecht's elaborate Aschaffenburg altarpiece program. Saint Valentine — the third-century Roman martyr identified with the healing of epilepsy as well as, in much later tradition, romantic love — appears here in the context of a saint's cycle organized around Mary Magdalene. Valentine's inclusion in the Aschaffenburg program may reflect specific liturgical or devotional traditions maintained at the Stiftsmuseum's foundation. The tall narrow format (233 × 76 cm) is consistent with the other Aschaffenburg saint panels. Cranach's treatment of individual standing saints in this format draws on a northern European tradition reaching back through Stephan Lochner and the Cologne school to the International Gothic altarpiece tradition. The program as a whole represents the last major flourishing of traditional Catholic altarpiece commissions in Germany before the Reformation's cultural revolution decisively transformed the market.

Technical Analysis

The multi-panel format follows the altarpiece tradition, providing an expanded devotional program with individual panels working together to create a unified theological and visual statement.

Look Closer

  • ◆Notice Saint Valentine depicted in bishop's vestments: his episcopal dress identifies him as a Christian martyr-bishop rather than the romantic figure modern culture has made of him.
  • ◆Look at the altarpiece wing format: this panel's fixed position in the Magdalene Altar program means it was always visible as a flanking image, framing the central devotional scene.
  • ◆Observe the Stiftsmuseum Aschaffenburg location: these panels' survival in their original ecclesiastical setting is exceptional — most German altarpieces of this period were scattered.
  • ◆The 1522 date places this at the precise moment when Protestant iconoclasm was beginning to threaten altarpiece painting throughout Germany.

See It In Person

Stiftsmuseum der Stadt Aschaffenburg

Aschaffenburg,

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
233 × 76 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Stiftsmuseum der Stadt Aschaffenburg, Aschaffenburg
View on museum website →

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Adam by Lucas Cranach the Elder

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