![Magdalene Altar: St Valentine [fixed wing panel] by Lucas Cranach the Elder](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Magdalenenaltar%2C_Linke_Tafel_Hl._Valentin_(cropped).jpg&width=1200)
Magdalene Altar: St Valentine [fixed wing panel]
Historical Context
The Magdalene Altar panel depicting Saint Valentine (c.1522) is one of the fixed wing panels from Cardinal Albrecht's elaborate Aschaffenburg altarpiece program. Saint Valentine — the third-century Roman martyr identified with the healing of epilepsy as well as, in much later tradition, romantic love — appears here in the context of a saint's cycle organized around Mary Magdalene. Valentine's inclusion in the Aschaffenburg program may reflect specific liturgical or devotional traditions maintained at the Stiftsmuseum's foundation. The tall narrow format (233 × 76 cm) is consistent with the other Aschaffenburg saint panels. Cranach's treatment of individual standing saints in this format draws on a northern European tradition reaching back through Stephan Lochner and the Cologne school to the International Gothic altarpiece tradition. The program as a whole represents the last major flourishing of traditional Catholic altarpiece commissions in Germany before the Reformation's cultural revolution decisively transformed the market.
Technical Analysis
The multi-panel format follows the altarpiece tradition, providing an expanded devotional program with individual panels working together to create a unified theological and visual statement.
Look Closer
- ◆Notice Saint Valentine depicted in bishop's vestments: his episcopal dress identifies him as a Christian martyr-bishop rather than the romantic figure modern culture has made of him.
- ◆Look at the altarpiece wing format: this panel's fixed position in the Magdalene Altar program means it was always visible as a flanking image, framing the central devotional scene.
- ◆Observe the Stiftsmuseum Aschaffenburg location: these panels' survival in their original ecclesiastical setting is exceptional — most German altarpieces of this period were scattered.
- ◆The 1522 date places this at the precise moment when Protestant iconoclasm was beginning to threaten altarpiece painting throughout Germany.







