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Margaret, Countess of Blessington by Thomas Lawrence

Margaret, Countess of Blessington

Thomas Lawrence·1822

Historical Context

Margaret, Countess of Blessington, painted by Lawrence around 1822 and now in the Wallace Collection, was one of the most celebrated women of Regency London — novelist, journalist, society hostess, and cultural entrepreneur whose Gore House salon attracted the era's most brilliant figures. Born Margaret Power in Tipperary, Ireland, her rise from a difficult early marriage through the death of a first husband, a second advantageous marriage, and eventual widowhood to become one of London's most influential literary figures represented a kind of social achievement available only to women of exceptional intelligence and social skill. Her salon at Gore House, Kensington, was frequented by Byron, Disraeli, Dickens, Wellington, and virtually every other significant figure of early Victorian cultural life — her position as both insider and observer gave her material for the novel and journalistic writing that supplemented the income that continued to evade financial stability. Lawrence's portrait captures her famous beauty and the commanding social presence that made her Gore House the most sought-after invitation in London; the Wallace Collection's comprehensive survey of European portraiture provides an appropriate context for a subject who was herself deeply embedded in the European aristocratic culture the Collection documents.

Technical Analysis

Lawrence lavishes his most brilliant technique on one of the great beauties of the Regency, with luminous flesh tones and a sumptuous treatment of dress fabric. The eyes are particularly animated, capturing the wit and intelligence that made Lady Blessington as famous for her conversation as for her beauty.

Look Closer

  • ◆Notice the luminous flesh tones and sumptuous dress treatment: Lawrence lavishes his most brilliant technique on Lady Blessington.
  • ◆Look at the eyes: Lawrence's particular strength — the eyes are rendered with striking depth that captures the wit and intelligence she was famous for.
  • ◆Observe the fluid, confident handling of the dress fabric: Lawrence conveys luxury through seemingly effortless brushwork.
  • ◆Find the quality of animated presence: Blessington's portrait goes beyond beauty to suggest the conversational brilliance that made her salon the center of literary London.

See It In Person

Wallace Collection

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
91 × 67 cm
Era
Romanticism
Style
British Romanticism
Genre
Portrait
Location
Wallace Collection, London
View on museum website →

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Anna Maria Dashwood, later Marchioness of Ely by Thomas Lawrence

Anna Maria Dashwood, later Marchioness of Ely

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Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby by Thomas Lawrence

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby

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The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894) by Thomas Lawrence

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894)

Thomas Lawrence·1823

Portrait of the Honorable George Canning, M.P. by Thomas Lawrence

Portrait of the Honorable George Canning, M.P.

Thomas Lawrence·c. 1822

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