
Medea, after Delacroix
Paul Cézanne·1880
Historical Context
Medea, after Delacroix, painted around 1880 and now in Zurich's Kunsthaus, is Cézanne's copy of Delacroix's 1838 Medea About to Kill Her Children — a work depicting the sorceress of Greek mythology who murdered her children to revenge herself on Jason. Cézanne was a lifelong devotee of Delacroix, copying his works repeatedly through his career as a form of artistic homage and learning. By making copies of Delacroix's most dramatically charged subjects, Cézanne simultaneously honored the Romantic master and tested his own evolving technique against an established touchstone. The Kunsthaus Zürich holds one of Europe's finest collections of Swiss and international twentieth-century art alongside Old Masters.
Technical Analysis
Oil on canvas interpreting Delacroix's original through Cézanne's own constructive method — the dramatic Romantic color and chiaroscuro translated into his characteristic analytical brushwork. Copying Delacroix did not mean imitating his style; Cézanne's version necessarily reflects his own pictorial preoccupations even while respecting the source composition.
Look Closer
- ◆Cézanne's watercolour over pencil preserves the underdrawing lines, which show through the translucent colour washes.
- ◆The Medea figure's outstretched arms and the children's forms are simplified compared to Delacroix's original — Cézanne was studying the composition, not reproducing it.
- ◆The medium requires restraint in handling that Delacroix's original oil painting did not — Cézanne adjusted the drama to fit the watercolour's inherent delicacy.
- ◆The cave setting behind Medea is described in overlapping washes of grey and green — darker in the shadows, raw paper in the highlights.
- ◆The two children are rendered in the simplest pale washes — their vulnerability against Medea's dark figure created entirely through tonal contrast.
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