
Saint Dominic Resuscitating Napoleone Orsini
Bartolomeo degli Erri·1467–74
Historical Context
Bartolomeo degli Erri painted Saint Dominic Resuscitating Napoleone Orsini between 1467 and 1474, depicting a miracle attributed to the founder of the Dominican Order—his raising of a young man who had been killed by a fall from a horse. The Erri brothers were active in Modena as painters of altarpieces and narrative panels for Dominican institutions, and this panel likely formed part of a polyptych cycle illustrating the life and miracles of Saint Dominic. Such panels were central to the visual culture of Dominican convents and churches, documenting the miraculous authority of the order's founder and encouraging devotion among the friars and lay visitors. The miracle of resuscitation—a direct parallel to Christ's own raising of Lazarus—established Dominic as a figure of apostolic power, and its depiction served both devotional and institutional purposes.
Technical Analysis
Degli Erri's panel painting reflects the North Italian tradition of the third quarter of the 15th century, combining elements of the Late Gothic figure style with emerging Renaissance spatial awareness. The composition organizes the miracle scene around the central figure of the resurrecting saint, with witnesses responding to the event with varied expressions. The painting's color is rich and local, the gold background providing traditional hieratic elevation.
![Monk Saint [?] with a Model of a Church by Bartolomeo degli Erri](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Circle_of_Bartolomeo_degli_Erri_(%3F)_-_Monk_Saint_(%3F)_with_a_Model_of_a_Church_-_Google_Art_Project.jpg&width=600)




