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Italian Landscape by Jean Baptiste Camille Corot

Italian Landscape

Jean Baptiste Camille Corot·ca. 1825–28

Historical Context

This Italian landscape by Corot, painted around 1825-28 on paper laid down on canvas, dates from his first transformative trip to Italy (1825-28). Corot's Italian sojourn was decisive for his artistic development; working en plein air in the brilliant Mediterranean light, he produced hundreds of oil sketches that rank among the finest landscape studies of the nineteenth century. These intimate works, many never exhibited in his lifetime, are now considered his greatest achievements.

Technical Analysis

The oil-on-paper technique allows for spontaneous, rapid execution capturing the fleeting effects of Italian light. Corot's palette is brighter and warmer than his later French landscapes, with clear tonal distinctions between sunlit and shadowed areas and the characteristic precision of his early architectural drawing.

See It In Person

The Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil on paper, laid down on canvas
Dimensions
12.7 × 27 cm
Era
Romanticism
Style
French Romanticism
Genre
Landscape
Location
The Metropolitan Museum of Art, New York
View on museum website →

More by Jean Baptiste Camille Corot

View of Genoa by Jean Baptiste Camille Corot

View of Genoa

Jean Baptiste Camille Corot·1834

Monte Pincio, Rome by Jean Baptiste Camille Corot

Monte Pincio, Rome

Jean Baptiste Camille Corot·1840–50

Nymphs Leaving the Bath by Jean Baptiste Camille Corot

Nymphs Leaving the Bath

Jean Baptiste Camille Corot·1843

Haydée by Imitator of Jean Baptiste Camille Corot

Haydée

Imitator of Jean Baptiste Camille Corot·19th century

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The Fountain at Grottaferrata

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Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836