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The Good Samaritan by Domenico Fetti

The Good Samaritan

Domenico Fetti·ca. 1618–22

Historical Context

Domenico Fetti's Good Samaritan, painted around 1618-22, illustrates Christ's parable of compassion across social boundaries. Fetti painted a celebrated series of New Testament parables during his years at the Gonzaga court in Mantua, creating small, intensely colored compositions that combined religious meaning with genre-like naturalism. These parable paintings were widely copied and influenced religious genre painting throughout the seventeenth century.

Technical Analysis

Fetti's oil-on-wood technique produces a rich, warm palette with the painterly freedom characteristic of his parable series. The intimate scale and loose brushwork create a sense of immediate narrative drama, while the landscape setting is treated with atmospheric breadth.

See It In Person

The Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil on wood
Dimensions
60 × 43.2 cm
Era
Baroque
Style
Italian Baroque
Genre
Religious
Location
The Metropolitan Museum of Art, New York
View on museum website →

More by Domenico Fetti

Melancholia by Domenico Fetti

Melancholia

Domenico Fetti·c. 1615

The Parable of the Mote and the Beam by Domenico Fetti

The Parable of the Mote and the Beam

Domenico Fetti·ca. 1619

The Parable of Lazarus and the Rich Man by Domenico Fetti

The Parable of Lazarus and the Rich Man

Domenico Fetti·1618/1628

The Veil of Veronica by Domenico Fetti

The Veil of Veronica

Domenico Fetti·c. 1618/1622

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

Lodovico Carracci·c. 1602

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612