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The Entombment by Moretto da Brescia (Alessandro Bonvicino)

The Entombment

Moretto da Brescia (Alessandro Bonvicino)·1554

Historical Context

Moretto da Brescia's Entombment, painted in 1554, is a late work by the master who defined the distinctive painting tradition of Brescia. The subject — Christ's body being placed in the tomb — demanded the solemn, contemplative treatment that Moretto's restrained style was perfectly suited to deliver. His religious paintings are distinguished from those of his Venetian contemporaries by their cooler palette, more austere compositions, and deeper sense of spiritual gravity.

Technical Analysis

Moretto's oil-on-canvas technique employs his characteristic silver-gray tonality with restrained color and soft, diffused lighting. The composition arranges the figures with grave dignity, while the subtle modeling of flesh and drapery creates an atmosphere of quiet, profound sorrow.

See It In Person

The Metropolitan Museum of Art

New York, United States

Gallery: 609

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
240 × 189.2 cm
Era
Mannerism
Style
Mannerism
Genre
Religious
Location
The Metropolitan Museum of Art, New York
Gallery
609
View on museum website →

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Portrait of a Lady in White by Moretto da Brescia

Portrait of a Lady in White

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Pietà by Moretto da Brescia

Pietà

Moretto da Brescia·1520s

Portrait of a Gentleman with a Letter by Moretto da Brescia

Portrait of a Gentleman with a Letter

Moretto da Brescia·1535

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Portrait of a Seated Woman

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