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The Tears of Saint Peter by Jusepe de Ribera (called Lo Spagnoletto)

The Tears of Saint Peter

Jusepe de Ribera (called Lo Spagnoletto)·ca. 1612–13

Historical Context

This early work by Ribera, The Tears of Saint Peter, painted around 1612-13, dates from the period when the young Spanish artist had recently arrived in Italy and was absorbing the revolutionary naturalism of Caravaggio. Peter's bitter weeping after denying Christ three times was a quintessential Counter-Reformation subject, emphasizing the power of sincere repentance. Ribera's intensely physical rendering of the aged saint's grief established the approach to sacred realism that would define his career.

Technical Analysis

Ribera's early Caravaggist manner is strikingly evident in the dramatic tenebrism that isolates the saint against a dark background. The close-up composition and unflinching rendering of aged flesh — wrinkles, tears, roughened hands — show the young artist's commitment to unidealized naturalism.

See It In Person

The Metropolitan Museum of Art

New York, United States

Gallery: 624

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
161.9 × 114.3 cm
Era
Baroque
Style
Spanish Baroque
Genre
Religious
Location
The Metropolitan Museum of Art, New York
Gallery
624
View on museum website →

More by Jusepe de Ribera

Penitent Saint Peter by Jusepe de Ribera

Penitent Saint Peter

Jusepe de Ribera·c. 1630

The Holy Family with Saints Anne and Catherine of Alexandria by Jusepe de Ribera (called Lo Spagnoletto)

The Holy Family with Saints Anne and Catherine of Alexandria

Jusepe de Ribera (called Lo Spagnoletto)·1648

Saint Jerome by Jusepe de Ribera

Saint Jerome

Jusepe de Ribera·c. 1638–40

The Martyrdom of Saint Bartholomew by Jusepe de Ribera

The Martyrdom of Saint Bartholomew

Jusepe de Ribera·1634

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Portrait of a Noblewoman Dressed in Mourning

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The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

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Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612