ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Miss Anna Alma-Tadema by Lawrence Alma-Tadema

Miss Anna Alma-Tadema

Lawrence Alma-Tadema·1883

Historical Context

Miss Anna Alma-Tadema (1883) is a portrait of the artist's daughter Anna (1867–1943), who herself became a significant artist and writer, producing paintings in the Arts and Crafts tradition and eventually a biography of her father. Alma-Tadema painted Anna and her sister Laurence several times over the years, creating a series of family portraits that document their growth within the family's artistic milieu. The Royal Academy of Arts holds this canvas, perhaps exhibited there at the time of its creation—a public statement of paternal pride and artistic skill combined. Anna would have been approximately sixteen when this portrait was made, placing it at the threshold between childhood and young womanhood. The portrait documents not only a family relationship but the cultural milieu of a Victorian artistic household where creativity was embedded in daily life.

Technical Analysis

Oil on canvas with the careful attention to an individual sitter's character that distinguishes family portraiture from more formal or public commissions. Alma-Tadema's technique brings the same material sensitivity to contemporary dress and domestic setting as to his historical subjects, without the archaeological distancing mechanism.

Look Closer

  • ◆The adolescent sitter's emerging adult character is captured with parental intimacy that formal portraiture rarely achieves
  • ◆Contemporary Victorian dress rather than classical robes situates this portrait in immediate biographical reality rather than historical fantasy
  • ◆The composition reflects the domestic informality appropriate to a family portrait while maintaining the technical dignity of a Royal Academy submission
  • ◆Light treatment focuses on the face with the sensitivity Alma-Tadema reserved for subjects of personal importance

See It In Person

Royal Academy of Arts

,

Visit museum website →

Quick Facts

Medium
canvas
Era
Neoclassicism
Genre
Genre
Location
Royal Academy of Arts, undefined
View on museum website →

More by Lawrence Alma-Tadema

View from Window of Gardens and Facades of Houses by Lawrence Alma-Tadema

View from Window of Gardens and Facades of Houses

Lawrence Alma-Tadema·1872

Joseph, Overseer of Pharaoh's Granaries (Op. nr. CXXIV) by Lawrence Alma-Tadema

Joseph, Overseer of Pharaoh's Granaries (Op. nr. CXXIV)

Lawrence Alma-Tadema·1874

Onder een Romeinse boog (Opus nr. CXXXIX) by Lawrence Alma-Tadema

Onder een Romeinse boog (Opus nr. CXXXIX)

Lawrence Alma-Tadema·1874

Ons hoekje (Opus nr. CXVI) by Lawrence Alma-Tadema

Ons hoekje (Opus nr. CXVI)

Lawrence Alma-Tadema·1873

More from the Neoclassicism Period

Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

Anton Raphael Mengs·1747–48

View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770