ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Modèle se coiffant dans l'atelier by Édouard Vuillard

Modèle se coiffant dans l'atelier

Édouard Vuillard·1916

Historical Context

Modèle se coiffant dans l'atelier of 1916 is a studio subject — a model arranging her hair within the studio rather than a domestic room — that connects to the long tradition of the woman at her toilette while relocating it in the professional painter's working environment. His studio subjects from the 1910s show him occasionally documenting the professional space of his own practice — the models, objects, and light conditions of the studio itself — rather than the purely domestic environments of his more characteristic work. The hair-arranging gesture, a form of self-care and self-presentation, appears in various forms across his career, and his 1916 version places it specifically within the studio context. The wartime date connects this to the other studio and domestic subjects he continued to paint through the war years as a form of maintained attention to the private and the intimate in the shadow of public catastrophe.

Technical Analysis

The studio setting is treated with greater spatial openness than Vuillard's domestic interiors, the practical working space of the atelier providing a different background texture. The figure's raised arms and turned head create a contrapposto action that Vuillard renders with his characteristic simplified form language.

Look Closer

  • ◆The model's raised arms create an unconventional body shape from self-grooming activity.
  • ◆The studio context is implied by hints of canvas edge, wooden floor, and neutral wall.
  • ◆Cardboard gives this studio study its matte absorbent quality as oil is pulled into support.
  • ◆Hair in the act of being arranged becomes the painting's most active visual element.

See It In Person

High Museum of Art

Atlanta, United States

Visit museum website →

Quick Facts

Medium
cardboard
Dimensions
59.7 × 45.7 cm
Era
Post-Impressionism
Style
Nabis
Genre
Genre
Location
High Museum of Art, Atlanta
View on museum website →

More by Édouard Vuillard

The Promenade in the Harbour by Édouard Vuillard

The Promenade in the Harbour

Édouard Vuillard·1908

Arthur Fontaine by Édouard Vuillard

Arthur Fontaine

Édouard Vuillard·1901

Self-portrait, face study by Édouard Vuillard

Self-portrait, face study

Édouard Vuillard·1889

Garden at Vaucresson by Édouard Vuillard

Garden at Vaucresson

Édouard Vuillard·1923

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885