ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 50,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Monkey Trick by David Teniers the Younger

Monkey Trick

David Teniers the Younger·1650

Historical Context

Monkey Trick of around 1650, in the Royal Museum of Fine Arts Antwerp, belongs to a distinct and significant category of Teniers's production: the singerie, or monkey genre, in which apes are depicted performing human activities — smoking, playing music, visiting a barber, or engaging in the social rituals of tavern life. The singerie tradition, which Teniers helped establish and which would flourish into the eighteenth century as a decorative genre, functioned on multiple levels: as comic entertainment, as satirical commentary on human behaviour (apes mimicking humans commented implicitly on the mimetic nature of social life), and as virtuoso animal observation. Teniers painted monkeys with the same attentive naturalism he brought to dogs and horses, giving his apes individual physiognomy and convincingly simian movement. The Antwerp Museum holds multiple singerie works, allowing Teniers's range within this genre to be assessed.

Technical Analysis

Canvas with warm interior setting — most singerie subjects take place indoors, appropriating the domestic or tavern settings of human genre painting. The monkeys' mobile, expressive faces are painted with careful attention to primate anatomy distinct from both human and dog physiognomy. Their hands — structurally similar to human hands — are depicted with particular care, since the manual dexterity of primates performing human tasks was central to the genre's conceit. Warm lamp or candle lighting creates the chiaroscuro interior atmosphere of a human tavern transposed to its animal parody.

Look Closer

  • ◆The monkeys' facial expressions combine primate physiognomy with human emotional range in a way that was the technical and conceptual heart of the singerie tradition
  • ◆Primate hands performing human tasks are rendered with anatomical specificity — neither fully human nor typically animal but recognisably the manual dexterity that made apes such apposite mimics
  • ◆The human setting — interior, furniture, implements — is transposed without modification into the monkey world, the comedy arising from the perfect match of human context and non-human inhabitants
  • ◆The implied commentary on human social behaviour — what does it mean to mimic? — is available to viewers who look beyond the immediate comedy

See It In Person

Royal Museum of Fine Arts Antwerp

,

Visit museum website →

Quick Facts

Medium
canvas
Dimensions
Unknown
Era
Baroque
Genre
Genre
Location
Royal Museum of Fine Arts Antwerp, undefined
View on museum website →

More by David Teniers the Younger

The Guardhouse by David Teniers the Younger

The Guardhouse

David Teniers the Younger·c. 1645

Abraham's Sacrifice of Isaac by David Teniers the Younger

Abraham's Sacrifice of Isaac

David Teniers the Younger·1654–56

The Flageolet Player by David Teniers the Younger

The Flageolet Player

David Teniers the Younger·1635/40

Adam and Eve in Paradise by David Teniers the Younger

Adam and Eve in Paradise

David Teniers the Younger·1650s

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612

The Flight into Egypt by Abraham Jansz. van Diepenbeeck

The Flight into Egypt

Abraham Jansz. van Diepenbeeck·c. 1650