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Mrs Littleton (1789–1846) by Thomas Lawrence

Mrs Littleton (1789–1846)

Thomas Lawrence·1822

Historical Context

Mrs Littleton, painted by Lawrence around 1822 and at the Laing Art Gallery, was Hyacinthe Mary Wellesley — the illegitimate daughter of the Marquess Wellesley, Arthur Wellesley's elder brother, making her the niece of the Duke of Wellington himself. Her marriage to Edward Littleton, who would become 1st Baron Hatherton and serve as Chief Secretary for Ireland, placed her at the center of Regency political life through both her Wellesley family connections and her husband's political career. Lawrence's female portraits of the 1820s show his mature Romantic style at its most accomplished: the atmospheric dissolution of the dress into pure suggestion of light and color, the luminous complexion rendered in thin transparent glazes, and the psychological directness that gave each sitter a specific presence rather than a generalized ideal. The Laing Art Gallery in Newcastle preserves this portrait within a regional collection that reflects the national distribution of Lawrence's work through the art market; the portrait's quality places it among his most successful female commissions from the final decade of his career.

Technical Analysis

Lawrence bestows his characteristic warmth and elegance on the young society woman, with luminous skin tones and a graceful arrangement of hair and costume. The brushwork is fluid and assured, the overall impression one of youthful refinement captured at the height of fashionable beauty.

Look Closer

  • ◆Notice the luminous skin tones and graceful hair and costume: Lawrence applies his signature female portrait technique to a Wellington-family connection.
  • ◆Look at the fluid, assured brushwork: this is Lawrence's late female manner at its most practiced.
  • ◆Observe the Laing Art Gallery Newcastle location: the Wellesley family connection extends Lawrence's reach to the northeast.
  • ◆Find the youthful refinement captured at the height of fashionable beauty: the warm highlights and elegant arrangement are exactly calibrated to the sitter's youth.

See It In Person

Laing Art Gallery

Newcastle, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
99.8 × 89.1 cm
Era
Romanticism
Style
British Romanticism
Genre
Portrait
Location
Laing Art Gallery, Newcastle
View on museum website →

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Anna Maria Dashwood, later Marchioness of Ely by Thomas Lawrence

Anna Maria Dashwood, later Marchioness of Ely

Thomas Lawrence·c. 1805

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby by Thomas Lawrence

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby

Thomas Lawrence·1790

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894) by Thomas Lawrence

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894)

Thomas Lawrence·1823

Portrait of the Honorable George Canning, M.P. by Thomas Lawrence

Portrait of the Honorable George Canning, M.P.

Thomas Lawrence·c. 1822

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