ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Mural painting of the funeral chapel of Andrea Mantegna by Antonio da Correggio

Mural painting of the funeral chapel of Andrea Mantegna

Antonio da Correggio·1507

Historical Context

Correggio's mural painting for the funeral chapel of Andrea Mantegna, created around 1507, is one of his earliest documented works. The commission to decorate the chapel of the great master who had recently died was a remarkable tribute to the young Correggio's emerging talent in Mantua. Mantegna had dominated painting in northern Italy for five decades, and to be entrusted with his memorial chapel placed the young artist in direct artistic dialogue with the tradition he was inheriting. The chapel is located within the Basilica of Sant'Andrea in Mantua, one of Alberti's masterpieces of Renaissance architecture, a setting that demanded works of corresponding dignity. The influence of Mantegna's own illusionistic techniques and archaeological approach to antiquity is still visible in the young painter's efforts, but Correggio was already developing the softer, more atmospheric manner that would characterize his mature style. The work remains in its original devotional context, providing a rare opportunity to see the early Correggio in the setting for which it was designed.

Technical Analysis

This early fresco work shows Correggio's initial engagement with mural painting that would later reach its apogee in the dome frescoes of Parma, with the influence of Mantegna's own illusionistic techniques still visible.

Look Closer

  • ◆The chapel's intimate space forces figures into close proximity, establishing the compression that would characterise Correggio's later work.
  • ◆The young Correggio's colour is already distinctive — warm amber flesh tones and the deep blues that he would develop into his signature.
  • ◆Angels at the upper margins anticipate the ceiling figures of his mature work — upward-gazing forms in foreshortened motion.
  • ◆The memorial context — Mantegna had just died — gives the figures a specific mourning quality, more serious than comparable decorative schemes.

See It In Person

Basilica of Sant'Andrea

Mantua, Italy

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
High Renaissance
Style
High Renaissance
Genre
Genre
Location
Basilica of Sant'Andrea, Mantua
View on museum website →

More by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515

Pietà by Antonio da Correggio

Pietà

Antonio da Correggio·1512

Penitent Magdalene by Antonio da Correggio

Penitent Magdalene

Antonio da Correggio·1611

Lesender Amor (Nachfolger) by Antonio da Correggio

Lesender Amor (Nachfolger)

Antonio da Correggio·1520

More from the High Renaissance Period

Domenico da Gambassi by Andrea del Sarto

Domenico da Gambassi

Andrea del Sarto·1525–28

Virgin and Child with Saint Anne, Saint Gereon, and a Donor by Bartholomaeus Bruyn the Elder

Virgin and Child with Saint Anne, Saint Gereon, and a Donor

Bartholomaeus Bruyn the Elder·1520

Scenes from the Life of Saint John the Baptist by Bartolomeo di Giovanni

Scenes from the Life of Saint John the Baptist

Bartolomeo di Giovanni·1490/95

The Martyrdom of Saint John the Baptist by Bernard van Orley

The Martyrdom of Saint John the Baptist

Bernard van Orley·ca. 1514–15