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Nadadores, Jávea by Joaquín Sorolla

Nadadores, Jávea

Joaquín Sorolla·1905

Historical Context

Painted in 1905 at Jávea, 'Nadadores, Jávea' — 'Swimmers, Jávea' — belongs to the cluster of sea-bathing subjects Sorolla produced during his most intensive engagement with the Jávea coastline. The Jávea coves, protected by rocky headlands and blessed with exceptionally clear water, offered conditions ideal for the kind of open-water swimming that was gaining popularity across Europe as a leisure pursuit. Sorolla was himself a strong swimmer and had an intimate physical familiarity with the sea as participant as well as observer, a relationship that gave his swimming subjects a quality of authentic embodied understanding. Multiple figures in water presented him with the problem of depicting partial submersion at different depths and angles — a complex optical challenge that required different painterly solutions for the above-water and below-water portions of each figure. The 1905 Jávea campaign produced a group of closely related swimming canvases that represent some of his most sustained investigation of the figure-in-water subject.

Technical Analysis

Multiple partially submerged figures created a complex composition of fragmented, refracted, and reflected forms. Sorolla organised the figures spatially through depth of submersion and distance from the viewer, with nearer figures showing more detail and those further away becoming more dissolved into the water's colour.

Look Closer

  • ◆Legs and torsos seen through clear water are depicted in sea-filtered greens and blues, their forms distorted by refraction
  • ◆Direct sunlight on wet skin creates bright white highlights that punctuate the darker sea surface
  • ◆Water between figures carries broken reflected patches of sky alternating with glimpses of the sandy bottom
  • ◆The composition's openness and informality captures the genuine social experience of a group swimming together

Quick Facts

Medium
canvas
Dimensions
Unknown
Era
Post-Impressionism
Genre
Genre

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