![Neustadt Retabel [right wing]: The Beheading of St John [recto] The Virgin Taking Leave of her Son [verso] by Lucas Cranach the Elder](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Lucas_Cranach_the_Elder_and_workshop_-_Neustadt_Retabel_(right_wing)_The_Beheading_of_St_John_(recto)%2C_DE_JKN_NONE-JKN001c.jpg&width=1200)
Neustadt Retabel [right wing]: The Beheading of St John [recto] The Virgin Taking Leave of her Son [verso]
Historical Context
The right wing of the Neustadt Retabel (1513) at the Stadtkirche St. Johannis pairs the Beheading of St John the Baptist on the recto with the Virgin Taking Leave of her Son on the verso — subject pairings that create thematic connections between the two faces of the panel. The Baptist's death prefigured Christ's in medieval typological reading, and the scene of the Virgin's farewell to Christ before his Passion was a devotional subject that emphasized the personal cost of the Incarnation — the relationship between mother and son, the specific human grief that attended the universal salvation. Cranach's treatment of these subjects demonstrates his facility with both dramatic narrative (the violent beheading, the emotional farewell) and quieter devotional meditation. The survival of the Neustadt Retabel's multiple components in their original church — its left wing, right wing, predella, and fixed wing — makes this one of the more complete surviving Cranach altarpiece programs still in its original setting.
Technical Analysis
Tempera technique, reflecting earlier traditions, the religious composition demonstrates Lucas Cranach the Elder's decorative elegance and precise linear draftsmanship in service of sacred narrative. The figural arrangement draws on established iconographic tradition while the handling of light and color creates emotional resonance.
Look Closer
- ◆Notice this double-sided wing: Beheading of Saint John on the recto, Virgin Taking Leave of her Son on the verso — two emotionally charged separations on the same physical panel.
- ◆Look at how the two subjects are thematically connected: both depict a last farewell, one forced by execution, one by the inevitable Passion.
- ◆Find the tempera technique: Cranach used this older medium for some altarpiece panels, producing a different optical quality than his oil paintings.
- ◆Observe how the Neustadt Retabel double-sided wing system required Cranach to create a complex program of related images.







