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The Hoppner Children
John Hoppner·1791
Historical Context
Hoppner's The Hoppner Children from 1791 depicts the artist's own children, bringing a personal warmth and freedom to a subject he treated professionally for clients throughout his career. Self-commissioned child portraits offered painters the opportunity to explore the genre without commercial constraints — the children of painters and sculptors appear regularly in European art as accessible models who could be posed, repositioned, and painted at the artist's own pace. Hoppner's children are shown in the natural outdoor setting with simple dress that characterized informal child portraiture of the period, their poses suggesting caught moments of play rather than formal sittings.
Technical Analysis
Hoppner renders his own children with particular warmth and naturalistic observation. The flesh tones are soft and luminous, with the children's features modeled with gentle, sympathetic brushwork. The informal composition and warm palette create an atmosphere of domestic intimacy that distinguishes this personal work from his more formal commissions.
Provenance
The artist's wife [d. 1827]; bequeathed to her eldest son, Catherine Hampden Hoppner; bequeathed to his brother, Richard Belgrave Hoppner [d. 1872]; (sale, Christie, Manson & Woods, London, 25 March 1893, no. 358, as _The Hoppner Children_); (Thos. Agnew & Sons, London); sold to (M. Knoedler & Co., New York);[1] purchased 1893 by Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsylvania; inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park; gift 1942 to NGA. [1] M. Knoedler & Co. stock books, recorded by The Getty Provenance Index.
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