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Lady Cornewall by Joshua Reynolds

Lady Cornewall

Joshua Reynolds·c. 1785-1786

Historical Context

Reynolds's Lady Cornewall at the National Gallery of Art depicts a gentlewoman of the late eighteenth century in the outdoor landscape setting that was one of his most productive formats for female portraiture. The landscape background — loosely painted, atmospheric, setting the figure within a specifically English natural environment — was Reynolds's adaptation of the tradition of the Venetian outdoor portrait to the conditions of English aristocratic life. His female portraits in landscape settings created images of women in natural ease rather than formal confinement, suggesting a freedom of movement and being that contrasted with the more constrained indoor settings of earlier portrait conventions.

Technical Analysis

The late portrait shows Reynolds's mature warmth of palette and atmospheric handling. The face is modeled with subtle, luminous tones, and the overall composition achieves a balance of formality and naturalness.

Look Closer

  • ◆Notice the atmospheric landscape background — loosely painted to suggest English countryside without defining a specific view
  • ◆Look at the warm, luminous handling of the face — Reynolds applies his most mature Venetian-influenced palette here
  • ◆Observe the natural ease of the pose — the sitter stands in outdoor light, free of indoor formality
  • ◆Find the handling of costume and setting: both are broadly painted to keep all attention on the face and expression
  • ◆Notice the balance between formal portrait requirements and the sense of natural freedom this outdoor setting creates

Provenance

Painted for the sitter's husband, Sir George Amyand Cornwall, 2nd Bt. [1748-1819], Moccas Court, Herefordshire; by descent to his grandson, the Reverend Sir George Cornewall, 5th Bt.[1] (Arthur J. Sulley & Co., London); purchased 28 August 1909 by Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsylvania; inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park; gift 1942 to NGA. [1] The additional Baronets Cornewall listed in the former owner table in NGA's collection database are per The Getty Provenance Index, and NGA curatorial records.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
overall: 127 × 101.5 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Portrait
Location
National Gallery of Art, Washington, D.C.
View on museum website →

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Lady Sarah Bunbury Sacrificing to the Graces

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Sir Thomas Rumbold, Bt. by Joshua Reynolds

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Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham by Joshua Reynolds

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham

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