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Head of One of the Three Kings: Melchior, The Assyrian King by Peter Paul Rubens

Head of One of the Three Kings: Melchior, The Assyrian King

Peter Paul Rubens·c. 1618

Historical Context

This Head of One of the Three Kings — Melchior, identified as the Assyrian King — was produced by Rubens and his studio around 1618 as a preparatory study for a larger Adoration of the Magi composition. Rubens frequently painted oil sketches of individual heads and figures as working studies for his monumental paintings, and his assistants would then help execute the final works. The exotic character of the Magi allowed Rubens to display his virtuosity in depicting varied physiognomies and costumes.

Technical Analysis

Originally on panel and transferred to canvas, the sketch demonstrates Rubens's energetic, confident brushwork in the freely painted hair and beard. The warm, glowing flesh tones and bold highlights show his characteristic alla prima technique in preparatory studies.

Provenance

Balthasar Moretus the Elder [1574-1641], Antwerp; by inheritance to his nephew, Balthasar Moretus the Younger [1615-1674], Antwerp. Graaf Van de Werve de Vosselaer, Antwerp; (his sale, Antwerp, March 1781 [sold together with _The Greek Magus_ and _The Ethiopian Magus_]);[1] Graaf de Roose, Antwerp; by inheritance to his wife, Graavin de Roose, Antwerp; (her estate sale, at her residence, Antwerp, 8 May 1798, no. 5, bought in by her daughter, Graavin de Beauffort);[2] by inheritance through the family de Beauffort to Comtesse Amedée de Beauffort, née de Roose de Baisy, Paris; (sale, Hôtel Drouot, Paris, 10 April 1876, no. 2);[3] John Waterloo Wilson [1815-1883], Brussels and Paris; (his sale, at his residence, Paris, 14-16 March 1881, no. 98); Léon Gauchez [1825-1907], Paris.[4] private collection, London; (sale, Christie, Manson & Woods, London, 13 July 1889, no. 55 [sold together with _The Greek Magus_); Pryor.[5] Boesch collection, Vienna. (sale, Hôtel Drouot, Paris, 4 June 1891, no. 43); (Bourgeois & Cie, Paris).[6] (Durand-Ruel, Paris); sold 1892 to Charles H. Senff [d. 1911], New York and Whitestone, Long Island; (his estate sale, Anderson Galleries, 28-29 March 1928, 2nd day, no. 20); Charles Senff's niece, Mrs. Louise Senff Cameron, New Windsor, New York; (sale, Anderson Galleries, New York, 9-11 April 1929, 2nd day, no. 154); Chester Dale [1883-1962], New York; gift 1943 to NGA. [1] See Max Rooses, "Petrus-Paulus Rubens en Balthasar Moretus," _Bulletin-Rubens_ 1 & 2, 1882-1883: 2(1883): 210. These three paintings remained together until the sale of John Wilson's collection in 1881. See note 4. [2] According to Max Rooses, _L'Oeuvre de P.P. Rubens: Histoire et Description de ses Tableaux et Dessins_, 5 vols., Antwerp, 1886-1892: 1(1886): 225, although in an annotated copy of the auction catalog in the Frick Library, the buyer, who purchased all of the Rubens in the sale, is given as Me(s or r)ti(n or r)s. While this inscription is difficult to decipher, all subsequent literature, most significantly the catalogue of the Wilson sale of 1881, supports Rooses' assertion that the painting stayed within the family de Beaufort. [3] See Rooses 1886-1892, 1(1886): 225. [4] The identity of the painting's buyer is not entirely certain. Rooses 1882-1883, 2(1883): 209, states that Gauchez acquired both this painting and the _Mage Grec_ and that the amounts he paid were respectively 15,500 Ffr. and 20,000 Ffr. In that same publication, Rooses identifies the buyer of the _Mage Ithiopien_ as Petit, Paris, and indicates that the painting was sold for 17,600 Ffr. An annotated copy of the sales catalogue in the NGA Library confirms this information, and gives the name as "G. Petit." However, Rooses 1886-1892, 1(1886): 225, identifies the buyer of the first two paintings as M. Le Roy, and quotes a somewhat different price for the _Mage Assyrien_ (15,100 Ffr.). He also identifies the buyer of the _Mage Ithiopien_ as M. Secretan and notes that the price fetched by the painting was 17,000 Ffr. Another annotated copy of the sales catalogue, in the Knoedler Library French Sales microfiche, lists the prices as those quoted in Rooses 1882-1883, but does not indicate the names of the purchasers. [5] Details of the sale, the buyer, and the amount paid for the painting are found in a newspaper clipping preserved in the Knoedler Library British Sales microfiche copy of the sales catalogue. [6] According to annotated sales catalogue in the NGA Library.

See It In Person

National Gallery of Art

Washington, D.C., United States

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Quick Facts

Medium
Oil on panel transferred to canvas
Dimensions
overall: 66.8 × 51.5 cm
Era
Baroque
Style
Italian Baroque
Genre
Religious
Location
National Gallery of Art, Washington, D.C.
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