.jpg&width=1200)
Young Boy in Profile
Judith Leyster·c. 1630
Historical Context
Leyster's Young Boy in Profile from around 1630 demonstrates her interest in character studies of children and ordinary people that connects her work to the broader Haarlem tradition of informal observation. Unlike the formal portrait or the genre scene, this type of character study — a troniecaptures a specific individual in a momentary, informal pose, without the formality of commissioned portraiture. Haarlem painters from Frans Hals onward had been developing informal approaches to depicting ordinary people, and Leyster participated in this tradition both as a student and as an independent practitioner. The delicate handling of light on the boy's face and the informality of the profile pose show her absorbing Frans Hals's loose, confident manner while developing a softer, more intimate approach appropriate to this type of psychological study.
Technical Analysis
Leyster's oil on panel shows her characteristically lively brushwork with quick, confident strokes that capture the boy's expression with immediacy. The warm palette and dramatic lighting demonstrate her command of the Hals-influenced technique that defined the Haarlem school of genre painting.
Provenance
Private collection, Switzerland. (Kunsthandel P. de Boer, Amsterdam), at least in 1968. (Newhouse Gallery, New York); purchased by Thomas Mellon Evans [1910-1997], New York, and Greenwich, Connecticut; by inheritance to his wife, Mrs. Thomas M. Evans [née Betty Barton, 1923-2013], New York, and Greenwich, Connecticut; gift 2009 to NGA.

_-_The_Last_Drop_(The_Gay_Cavalier)_-_Google_Art_Project.jpg&width=600)




