
After the Rain
Théodore Rousseau·c. 1850
Historical Context
After the Rain from around 1850 captures the freshened landscape following a rain shower — the washed light, the dripping foliage, the saturated colors of wet vegetation — with the meteorological precision that Rousseau had developed from years of sustained outdoor observation. The painting of specific weather conditions — not generic 'good weather' or 'storm' but the precise atmospheric quality of the moment after rain passes — was one of the Barbizon painters' most important contributions to landscape painting's development. Rousseau's ability to render atmospheric transition reflected his practice of continuous outdoor work in all conditions, accumulating a visual knowledge of weather's effects that studio-based painters could never achieve.
Technical Analysis
Rousseau captures the specific quality of post-rain light with luminous, fresh tones and glistening highlights on wet surfaces. The palette is dominated by washed greens and earth tones with touches of brightness in the clearing sky. The brushwork is varied, with broader atmospheric passages contrasting with detailed foreground elements.
Provenance
Edwards, Paris. (his sale, Hotel Drouot, Paris, 7 March 1870, no. 32). C.G. Candano, Paris;[1] purchased 1899 by William A. Clark [1839-1925], New York; bequest 1926 to the Corcoran Gallery of Art, Washington; acquired 2014 by the National Gallery of Art. [1] According to Dana H. Carroll, _Catalogue of Objects of Fine Art and Other Properties at the Home of William Andrews Clark, 962 Fifth Avenue_, Part I, Unpublished manuscript, n.d. (1925): 148, no. 107.
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