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Madonna and Child by Massimo Stanzione

Madonna and Child

Massimo Stanzione·1635/1640

Historical Context

Massimo Stanzione's Madonna and Child, painted between 1635 and 1640, is a devotional work by one of the most important painters of the Neapolitan Baroque. Stanzione was known as the "Neapolitan Guido Reni" for his classicizing, elegant style that provided a lyrical counterpoint to the more dramatic naturalism of Caravaggio's Neapolitan followers. He ran a large workshop that trained the next generation of Neapolitan painters.

Technical Analysis

The oil on canvas shows Stanzione's refined technique, with smooth, luminous flesh tones and a warm, golden palette. The idealized beauty of the Madonna and the soft sfumato modeling reflect his synthesis of Bolognese classicism with the rich coloring of Neapolitan painting.

Provenance

Charles H.W. Verbeck [1932-2009], Washington, D.C.; (his estate sale, spring 2010); purchased by Todd McDonald, Washington, D.C.; gift 2022 to NGA.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
overall: 98.11 × 73.66 cm
Era
Baroque
Style
Italian Baroque
Genre
Religious
Location
National Gallery of Art, Washington, D.C.
View on museum website →

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Saint Agnes by Massimo Stanzione

Saint Agnes

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Pietà by Massimo Stanzione

Pietà

Massimo Stanzione·1638

Saint John the Baptist says goodbye to his Parents by Massimo Stanzione

Saint John the Baptist says goodbye to his Parents

Massimo Stanzione·1634

Sleeping Christ Child in a Landscape by Massimo Stanzione

Sleeping Christ Child in a Landscape

Massimo Stanzione·1635

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