
Saint Jerome in the Wilderness
Cima da Conegliano·c. 1500/1505
Historical Context
Cima da Conegliano's Saint Jerome in the Wilderness, painted around 1500-1505, depicts the Church Father in his penitential retreat, a subject that allowed Cima to showcase his exceptional talent for landscape painting. The rocky wilderness setting combines the Dolomite terrain of Cima's native Veneto with the conventions of Venetian landscape. Jerome, shown with his traditional attributes of the lion and the crucifix, was one of the most popular saints in Renaissance art.
Technical Analysis
Cima's oil technique, originally on panel and later transferred to canvas, produces his signature luminous color and clear atmospheric effects. The rocky landscape is rendered with geological precision, while the light effects across the varied terrain demonstrate his mastery of outdoor illumination.
Provenance
Probably W.N. Hill, Bath; [1] (sale, Christie, Manson & Woods, London, 30 November - 1 December 1827, no. 59); bought by Radcliff.[2] Alexander Orloff-Davidoff, Saint Petersburg, by 1896;[3] sold 1930 to Arthur Hamilton Lee, 1st Viscount Lee of Fareham [1868-1947], Old Quarries, Gloucestershire;[4] (Count Alessandro Contini Bonacossi, Florence); purchased June 1935 by the Samuel H. Kress Foundation, New York;[5] gift 1939 to NGA. [1] Francis Russell, "Review of Peter Humfrey, _Cima da Conegliano_, Cambridge, 1983," _Journal of the Royal Society of Arts_ 132 (1984): 410, connects the Washington panel with that sold by Hill, described as "Cima di Conegliano: St. Jerome's Penitence, with romantic scenery, small upright, highly finished." [2] Buyer according to annotated auctioneer catalogue, Christie's Archive, London. The catalogue describes the seller as a gentleman who had lived in Italy for twenty years. [3] All references are simply to "Orloff-Davidoff collection," except for a note (in NGA curatorial files) stating "probably Alexander, according to a relative." Fritz Harck, "Notizen über italienische Bilder in petersburger Sammlungen," _Repertorium für Kunstwissenschaft_ 19 (1896): 434, indicates that when the painting was in this collection the inscription read "Joannis bellinus opus." [4] Ellis K. Waterhouse stated that he saw the painting when it was being sold in London in 1930 from the Orloff-Davidoff collection; Fern Rusk Shapley, _Paintings from the Samuel H. Kress Collection: Italian Schools, XV-XVI Century_, London, 1968: 60 n. 3. [5] The bill of sale, dated 12 June 1935 was for a total of twenty-one paintings (copy in NGA curatorial files). See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/1848.
See It In Person
More by Cima da Conegliano (Giovanni Battista Cima)

Three Saints: Roch, Anthony Abbot, and Lucy
Cima da Conegliano (Giovanni Battista Cima)·ca. 1513

Madonna and Child with Saints Francis and Clare
Cima da Conegliano (Giovanni Battista Cima)·ca. 1510

Madonna and Child with Saint Jerome and Saint John the Baptist
Cima da Conegliano·c. 1492/1495
.jpg&width=600)
Saint Helena
Cima da Conegliano·c. 1495



