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Madame Bergeret by François Boucher

Madame Bergeret

François Boucher·possibly 1766

Historical Context

Madame Bergeret (possibly 1766), at the National Gallery of Art, is a portrait of a woman from the wealthy Bergeret family — prominent French financiers and art patrons. Boucher's late portraits combine the decorative elegance of his mythological paintings with observed characterization, presenting his sitters as participants in the refined world his art created. The painting demonstrates Boucher's mastery of female portraiture, the sitter rendered with the luminous flesh tones and graceful composition that characterized his entire oeuvre.

Technical Analysis

The portrait combines the naturalistic demands of likeness with Boucher's decorative sensibility. The sitter's costume and setting are rendered with characteristic Rococo elegance, while the face shows slightly more individualized treatment than his mythological figures.

Provenance

Pierre Jacques Onésyme Bergeret de Grancourt [1715-1785], husband of the sitter, Paris; by inheritance to their elder son, Pierre Jacques Bergeret de Grancourt [1742-1807], Cassan; by inheritance to his stepson (the son of his second wife, Catherine Julie Xavier Poisson de la Chabeaussière, by her first marriage), Ange Philibert de la Girennerie, Cassan; by inheritance to his aunt (a sister of his mother), Barbe Françoise Victoire Poisson de la Chabeaussière Cotillon de Torcy; by inheritance to her daughter, Françoise Julie Cotillon de Torcy Le Bos de Sainte Croix; by inheritance to her daughter, Angélique Le Bos de Sainte Croix, comtesse Fontaine de Resbecq; by inheritance to the Resbecq family; sold by 1920 to (Wildenstein & Co., Paris, New York, and London); sold 1942 to the Samuel H. Kress Foundation, New York;[1] gift 1946 to NGA. [1] For further clarification, see the discussion by Alastair Laing in _François Boucher (1703-1770)_, exh. cat., The Metropolitan Museum of Art, New York; Detroit Institute of Arts; Galeries nationales du Grand Palais, Paris; New York, 1986: 229-233. See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/1313.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
overall: 143.5 × 105.4 cm
Era
Rococo
Style
French Rococo
Genre
Portrait
Location
National Gallery of Art, Washington, D.C.
View on museum website →

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Are They Thinking about the Grape? (Pensent-ils au raisin?)

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Bathing Nymph

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Angelica and Medoro by François Boucher

Angelica and Medoro

François Boucher·1763

The Dispatch of the Messenger by François Boucher

The Dispatch of the Messenger

François Boucher·1765

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The Madonna with the Seven Founders of the Servite Order

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Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

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Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700