ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContact

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

A Princess of Saxony by Lucas Cranach the Elder

A Princess of Saxony

Lucas Cranach the Elder·c. 1517

Historical Context

A Princess of Saxony, the companion piece to A Prince of Saxony and also dated around 1517, portrays a young girl of the electoral family in richly embroidered dress with an elaborate headdress. The princess’s identity remains debated among scholars, with candidates including Sibylle of Cleves or one of the daughters of Johann the Constant. Cranach renders the child with the same formal dignity as his adult court portraits, though the round face and small features reveal her youth. The pair of paintings would have served dynastic purposes, potentially circulated to prospective marriage partners. These child portraits demonstrate Cranach’s importance as a documenter of the Saxon dynasty across generations.

Technical Analysis

The meticulous rendering of pearls, embroidery, and goldwork demonstrates Cranach's extraordinary precision as a painter of costume detail. The face is painted with subtle, naturalistic modeling characteristic of his best portrait work.

Look Closer

  • ◆Notice the princess's elaborate embroidered headdress: Cranach renders each individual pearl and decorative element with miniaturist precision, making the painting a document of Saxon court dress.
  • ◆Look at her round face and slightly unfocused eyes — unlike his adult female portraits, Cranach preserves something of childhood in the rendering of this young face.
  • ◆Observe the companion relationship with the paired Prince of Saxony panel: together they form a dynastic document of siblings, likely circulated to potential marriage partners.
  • ◆The meticulous goldwork embroidery on her costume is one of the finest examples of Cranach's textile rendering in his portrait work.

Provenance

(Julius Böhler, Munich, owned jointly with August Salomon, Dresden, through Paul Cassirer, Berlin);[1] purchased August 1925 by Ralph Harman [1873-1931] and Mary Batterman [d. 1951] Booth, Detroit; gift 1947 to NGA. [1] Julius Böhler, letter of 9 November 1987 to Dr. John Hand, in NGA curatorial files.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
overall: 43.4 × 34.3 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Portrait
Location
National Gallery of Art, Washington, D.C.
View on museum website →

More by Lucas Cranach the Elder

Judith with the Head of Holofernes by Lucas Cranach the Elder

Judith with the Head of Holofernes

Lucas Cranach the Elder·ca. 1530

Eve by Lucas Cranach the Elder

Eve

Lucas Cranach the Elder·1533–37

The Crucifixion by Lucas Cranach the Elder

The Crucifixion

Lucas Cranach the Elder·1538

Adam by Lucas Cranach the Elder

Adam

Lucas Cranach the Elder·1533–37

More from the High Renaissance Period

Head of Saint John the Baptist on a Charger by Aelbert Bouts

Head of Saint John the Baptist on a Charger

Aelbert Bouts·ca. 1500

Lucrezia di Lippo di Iacopo Guidi by Andrea del Sarto

Lucrezia di Lippo di Iacopo Guidi

Andrea del Sarto·1525–28

Domenico da Gambassi by Andrea del Sarto

Domenico da Gambassi

Andrea del Sarto·1525–28

Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515