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Portrait of an Old Man by Alphonse Legros

Portrait of an Old Man

Alphonse Legros·1837

Historical Context

Alphonse Legros' Portrait of an Old Man reflects the French-born, London-based artist's sustained interest in character studies of elderly figures that descend from the tradition of Rembrandt. Legros was a friend of Whistler and Fantin-Latour who became an influential figure in British art education as Slade Professor at University College London. His portraits and figure studies combine French Realist observation with Old Master technique.

Technical Analysis

Legros' oil-on-canvas technique demonstrates his characteristically dark, tonal palette with the figure emerging from shadow in the manner of Rembrandt and the Spanish masters. The broad, confident brushwork and focused attention on the aged face reflect his Realist training and Old Master sensibility.

Provenance

(P. & D. Colnaghi, Ltd., London); sold by 1932 to George Matthew Adams [1878-1962], New York;[1] gift 1947 to NGA. [1] See the letter dated 8 June 1932 from Adams to Harold Wright of Colnaghi (original in MS Wright, Special Collections, University of Glasgow Library, Scotland; copy in NGA curatorial files).

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
overall: 46.7 × 38.5 cm
Era
Romanticism
Style
French Romanticism
Genre
Portrait
Location
National Gallery of Art, Washington, D.C.
View on museum website →

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Head of a Man with Upturned Eyes by Alphonse Legros

Head of a Man with Upturned Eyes

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Memory Copy of Holbein's Erasmus by Alphonse Legros

Memory Copy of Holbein's Erasmus

Alphonse Legros·1837

Cupid and Psyche by Alphonse Legros

Cupid and Psyche

Alphonse Legros·1800

Portrait of a Woman by Alphonse Legros

Portrait of a Woman

Alphonse Legros·1875

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