
Portrait of an Old Man
Alphonse Legros·1837
Historical Context
Alphonse Legros' Portrait of an Old Man reflects the French-born, London-based artist's sustained interest in character studies of elderly figures that descend from the tradition of Rembrandt. Legros was a friend of Whistler and Fantin-Latour who became an influential figure in British art education as Slade Professor at University College London. His portraits and figure studies combine French Realist observation with Old Master technique.
Technical Analysis
Legros' oil-on-canvas technique demonstrates his characteristically dark, tonal palette with the figure emerging from shadow in the manner of Rembrandt and the Spanish masters. The broad, confident brushwork and focused attention on the aged face reflect his Realist training and Old Master sensibility.
Provenance
(P. & D. Colnaghi, Ltd., London); sold by 1932 to George Matthew Adams [1878-1962], New York;[1] gift 1947 to NGA. [1] See the letter dated 8 June 1932 from Adams to Harold Wright of Colnaghi (original in MS Wright, Special Collections, University of Glasgow Library, Scotland; copy in NGA curatorial files).







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