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The Kitchen Maid by Jean Siméon Chardin

The Kitchen Maid

Jean Siméon Chardin·1738

Historical Context

Chardin's Kitchen Maid from 1738 is one of his most admired genre paintings, depicting a woman in simple domestic work with the concentrated observation and profound respect for humble labor that distinguished his contribution to eighteenth-century French art. Kitchen maids in Chardin appear as figures of absorbed concentration — peeling turnips, fetching water, scrubbing pots — their domestic labor rendered with the same sustained attention he brought to still life objects. Diderot wrote that before Chardin, French painters had not understood how to paint the copper pot, the glazed crock, the humble vegetable; after him, these objects could never be painted the same way again. The Kitchen Maid embodies this revolution in artistic attention.

Technical Analysis

Chardin's technique achieves a remarkable sense of physical presence and psychological depth. The figure is modeled with warm, naturalistic tones and the kitchen setting is rendered with careful attention to the specific textures and surfaces of domestic objects. The soft, even lighting creates an atmosphere of concentrated stillness.

Provenance

Acquired from the artist by Prince Joseph Wenzel of Liechtenstein [1696-1772, Austrian ambassador to France, 1737-1741]; by descent through the Princes of Liechtenstein to Prince Franz Josef II von und zu Liechtenstein [1906-1989], Vienna and later Vaduz, until at least 1948; (Frederick Mont, Inc., New York); purchased 8 March 1951 by the Samuel H. Kress Foundation, New York;[1] gift 1952 to NGA. [1] Invoice from Frederick Mont to the Kress Foundation, copy in NGA curatorial files. See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/2218.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
overall: 46.2 × 37.5 cm
Era
Rococo
Style
French Rococo
Genre
Genre
Location
National Gallery of Art, Washington, D.C.
View on museum website →

More by Jean Siméon Chardin

The White Tablecloth by Jean Siméon Chardin

The White Tablecloth

Jean Siméon Chardin·c. 1731–32

Kitchen Utensils with Leeks, Fish, and Eggs by Jean-Siméon Chardin

Kitchen Utensils with Leeks, Fish, and Eggs

Jean-Siméon Chardin·c. 1734

Still Life with Herrings by Jean-Siméon Chardin

Still Life with Herrings

Jean-Siméon Chardin·c. 1735

The House of Cards by Jean Siméon Chardin

The House of Cards

Jean Siméon Chardin·probably 1737

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700