
Portrait of a Young Woman
Girolamo di Benvenuto·c. 1508
Historical Context
Girolamo di Benvenuto's Portrait of a Young Woman from around 1508 depicts an elegant Sienese lady in contemporary dress. Girolamo was the son and pupil of Benvenuto di Giovanni, and he maintained the refined, somewhat conservative Sienese tradition into the early sixteenth century. The idealized beauty and decorative richness of the portrait reflect Sienese taste for elegance over the more naturalistic Florentine approach.
Technical Analysis
Painted in oil on poplar panel, the work shows the precise, enamel-like surface finish characteristic of the Sienese school. The careful rendering of the sitter's elaborate headdress, jewelry, and costume demonstrates Girolamo's meticulous attention to decorative detail.
Provenance
Cav. Antonio Piccolomini Bellanti, Siena, by 1811; by inheritance 1895 to his daughter, Signora Ciaccheri, Siena; presumably by whom sold 1895 to (Charles Fairfax Murray [1849-1919], London and Florence); sold November 1895 to (Thomas Agnew & Sons, Ltd., London, stock no. 7418); sold November 1895 to George M. Salting [1835-1909], London; sold September 1903 back to (Thomas Agnew & Sons, Ltd., London, stock no. 1005) in joint ownership with (Charles Fairfax Murray); sold February 1905 to William Newall.[1] (Trotti et Cie., Paris); sold 1911 to Arthur Sanderson, Edinburgh; (Sanderson sale, Knight, Frank, and Rutley, London, 14-16 June 1911, 3rd day, no. 621, as _Petrarch's Laura_); purchased by (Thomas Agnew & Sons, Ltd., London) for Robert Henry [1850-1929] and Evelyn Holford [1856-1943] Benson, London and Buckhurst Park, Sussex;[2] sold 1927 to (Duveen Brothers, Inc., London and New York); sold 1937 to the Samuel H. Kress Foundation, New York;[3] gift 1939 to NGA. [1] Agnew Stock Book no. 8, 1891-1898, pp. 174-175; no. 9, 1898 - 1904, pp. 306-307; no. 10, 1904-1933, pp. 234-235, National Gallery London reference no. NGA 27/1/1/8-10. [2] Robert Henry Benson's notes on the painting's history (transcript provided in 1976 by his grandson, Peter Wake, and in NGA curatorial files) read in part: "It is believed that an emissary of [Dr.] Boda's tried to buy it but Agnew sold it to Trotti in Paris and Trotti sold it (I was told)...to Arthur Sanderson, then a prosperous distiller in Edinburgh. Sanderson lost money and sent it...for sale by auction. I gave Agnews a commission to buy it..." [3] See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/1725.
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